| Chromatic cinema: A history of screen color R Misek John Wiley & Sons, 2010 | 201 | 2010 |
| Dead time: Cinema, Heidegger, and boredom R Misek Continuum 24 (5), 777-785, 2010 | 38 | 2010 |
| The ‘look’and how to keep it: Cinematography, postproduction and digital colour R Misek Screen 51 (4), 404-409, 2010 | 16 | 2010 |
| Modular spacetime in the ‘intelligent'blockbuster: Inception and source code A Cameron, R Misek Hollywood Puzzle Films, 109-124, 2014 | 15 | 2014 |
| Mapping Rohmer: Cinematic cartography in post-war Paris R Misek Mapping Cultures: Place, Practice, Performance, 53-67, 2012 | 15 | 2012 |
| Transgressing the Non-fiction Transmedia Narrative A Gifreu-Castells, R Misek, E Verbruggen VIEW Journal of European Television History and Culture 5 (10), 1-3, 2016 | 12 | 2016 |
| Exploding Binaries: point-of-view and combat in The Thin Red Line R Misek Quarterly Review of Film and Video 25 (2), 116-123, 2008 | 11 | 2008 |
| The black screen R Misek Edinburgh University Press, 2017 | 10 | 2017 |
| Time-lapse and the projected body A Cameron, R Misek Moving Image Review & Art Journal 3 (1), 38-51, 2014 | 6 | 2014 |
| ‘Real-time’virtual reality and the limits of immersion R Misek Screen 61 (4), 615-624, 2020 | 5 | 2020 |
| A parallax view of psycho R Misek International Journal of Žižek Studies 2 (1), 2016 | 5 | 2016 |
| Trespassing Hollywood: Property, Space, and the “Appropriation Film” R Misek October, 132-148, 2015 | 5 | 2015 |
| Last of the Kodak”: Andrei Tarkovsky’s Struggle With Colour’ R Misek Peter Lang Publishing Group, 2007 | 4 | 2007 |
| The invisible ideology of white light R Misek New Review of Film and Television Studies 8 (2), 125-143, 2010 | 3 | 2010 |
| A cor digital R Misek Revista Laika 2 (3), 4-41, 2013 | 2 | 2013 |
| European Cinema: Face to Face with Hollywood by Thomas Elsaesser R Misek Senses of Cinema, 0-0, 2006 | 2 | 2006 |
| Why We Need Hybrid Film Festivals R Misek Hyperallergic, 2021 | 1 | 2021 |
| In Praise of Blur R Misek [in] Transition 4 (2b), 2017 | 1 | 2017 |
| Mapping Rohmer: a video essay R Misek | 1 | 2012 |
| Wrong Geometries in The Third Man R Misek Rouge, 2007 | 1 | 2007 |
