| Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges A Antoine, ER Miranda Proceedings of the 2017 International Symposium on Musical Acoustics (ISMA …, 2017 | 9 | 2017 |
| Towards a timbral classification system for musical excerpts A Antoine, D Williams, ER Miranda Proceedings of the 2nd AES Workshop on Intelligent Music Production 13, 2016 | 9 | 2016 |
| Towards Intelligent Orchestration Systems A Antoine, ER Miranda 11th International Symposium on Computer Music Multidisciplinary Research …, 2015 | 7 | 2015 |
| A perceptually orientated approach for automatic classification of timbre content of orchestral excerpts A Antoine, E Miranda The Journal of the Acoustical Society of America 141 (5_Supplement), 3723-3723, 2017 | 6 | 2017 |
| On unconventional computing for sound and music ER Miranda, A Kirke, E Braund, A Antoine Guide to Unconventional Computing for Music, 23-61, 2017 | 6 | 2017 |
| i-Berlioz: Interactive Computer-Aided Orchestration with Temporal Control E Miranda, A Antoine, JM Celerier, M Desainte-Catherine ABEditore, 2018 | 5 | 2018 |
| Computer Generated Orchestration: Towards Using Musical Timbre in Composition A Antoine, E Miranda Université de Strasbourg, 2017 | 3 | 2017 |
| Predicting timbral and perceptual characteristics of orchestral instrument combinations A Antoine, E Miranda The Journal of the Acoustical Society of America 143 (3_Supplement), 1747-1747, 2018 | 2 | 2018 |
| Modeling Human Experts’ Identification of Orchestral Blends Using Symbolic Information A Antoine, P Depalle, P Macnab-Séguin, S McAdams International Symposium on Computer Music Multidisciplinary Research, 363-378, 2019 | 1 | 2019 |
| i-Berlioz: Towards interactive computer-aided orchestration with temporal control E Miranda, A Antoine, JM Celerier, M Desainte-Catherine Accademia Musicale Studio Musica, 2019 | 1 | 2019 |
| Generating Orchestral Sequences with Timbral Descriptors A Antoine, E Miranda, JM Celerier, M Desainte-Catherine Montreal, Canada, 2018 | 1 | 2018 |
| An Investigation into the Use of Artificial Intelligence Techniques for the Analysis and Control of Instrumental Timbre and Timbral Combinations A Antoine University of Plymouth, 2018 | 1 | 2018 |
| A User-Centric Algorithmic Composition System A Antoine, E Miranda Proceedings of the 2016 International Conferences on New Music Concepts …, 2016 | 1 | 2016 |
| Q-Muse: A quantum computer music system designed for a performance for orchestra, electronics and live internet-connected photonic quantum computer A Kirke, P Shadbolt, A Neville, A Antoine, E Miranda Berlin, Germany, 2014 | 1 | 2014 |
| Modeling the contribution of auditory scene analysis principles to perceptual effects of orchestration A Antoine, P Depalle, S McAdams The Journal of the Acoustical Society of America 148 (4_Supplement), 2462-2462, 2020 | | 2020 |
| Musical Acoustics, Timbre, and Computer–Aided Orchestration Challenges ER Miranda, A Antoine Montreal, Canada, 2018 | | 2018 |
| Towards a Timbral Classification System for Musical Excerpts E Miranda, A Antoine, D Williams London, 2016 | | 2016 |
| A User-Centric Algorithmic Composition System E Miranda, A Antoine Treviso, Italy, 2016 | | 2016 |
| PORTUGUESE PROSODY R Schramm, H de Souza Nunes, A Antoine, ER Miranda methodology 1 (2), 3, 0 | | |
Eduardo R MirandaProfessor of Computer Music, Plymouth UniversityVerified email at plymouth.ac.uk
