| Articulations of identity and distinction: The meanings of language in Dutch popular music A van der Hoeven, S Janssen, S Driessen Popular Music and Society 39 (1), 43-58, 2016 | 21 | 2016 |
| Love Me For A Reason: An Auto-ethnographic Account of Boyzone Fandom S Driessen, B Jones IASPM@ Journal 6 (1), 68-84, 2016 | 15 | 2016 |
| Larger than life: exploring the transcultural fan practices of the Dutch Backstreet Boys fandom S Driessen Participations Journal of Audience and Reception Studies 12 (2), 180-196, 2015 | 15 | 2015 |
| Campaign Problems: How Fans React to Taylor Swift’s Controversial Political Awakening S Driessen American Behavioral Scientist 66 (8), 1060-1074, 2022 | 14 | 2022 |
| Look what you made them do: understanding fans’ affective responses to Taylor Swift’s political coming-out S Driessen Celebrity Studies 13 (1), 93-96, 2022 | 8 | 2022 |
| Taylor Swift, political power, and the challenge of affect in popular music fandom S Driessen Transformative Works and Cultures 32, 17, 2020 | 8 | 2020 |
| ‘For the Greater Good?’Vigilantism in Online Pop Culture Fandoms S Driessen Introducing Vigilant Audiences, 25-48, 2020 | 7 | 2020 |
| Celebrating nostalgia or critiquing naivety: Reading pop music reunions through discourses of the fan life course S Driessen Journal of Fandom Studies 7 (2), 133-150, 2019 | 6 | 2019 |
| " I'll never break your heart": The perpetual fandom of the backstreet boys S Driessen | 5 | 2018 |
| Understanding popular music heritage practice through the lens of ‘third place’ L Istvandity, S Baker, J Collins, S Driessen, C Strong Rethinking Third Places, 116-135, 2019 | 4 | 2019 |
| Still “got the feeling”’: Exploring post-youth’s enjoyment of music from their recent past S Driessen Postgraduate Journal of Women, Ageing and Media 2, 90-98, 2015 | 4 | 2015 |
| When pop and politics collide: A transcultural perspective on contested practices in pop idol fandoms in China and the West Q Huang, S Driessen, D Trottier International Journal of Communication 17, 1425-1444, 2023 | 3 | 2023 |
| The Affordances Of Repackaged Popular Music From The Past S Driessen | 3 | 2017 |
| The participatory politics and play of canceling an idol: Exploring how fans negotiate their fandom of a canceled ‘fave’ S Driessen Convergence, 13548565231199983, 2023 | 2 | 2023 |
| Taylor Swift vs Scooter Braun: was unleashing the Swifties the right way to get justice? S Driessen | 1 | 2019 |
| Book Review: Mediated Nostalgia: Individual Memory and Contemporary Mass Media S Driessen Cultural Sociology 10 (4), 546-547, 2016 | 1 | 2016 |
| Best Song ever-forever?: Exploring how young adults give meaning to their life-long music fandom S Driessen, V van Mil IASPM Journal 14 (1), 21-37, 2024 | | 2024 |
| From fan citizenship to ‘fanspiracies’: Politics and participatory cultures in times of crisis? S Driessen, B Jones, B Litherland Convergence, 13548565241236005, 2024 | | 2024 |
| The Lifetime Soundtrack: Music and Autobiographical Memory. By Lauren Istvandy. Sheffield, UK: Equinox Publishing Ltd, 2019. 156 pp. ISBN: 978-1-78179-629-0 S Driessen Popular Music 42 (2), 209-211, 2023 | | 2023 |
| Media Use and Political Engagement: Cross-Cultural Approaches| When Pop and Politics Collide: A Transcultural Perspective on Contested Practices in Pop Idol Fandoms in China … Q Huang, S Driessen, D Trottier International Journal of Communication 17, 20, 2023 | | 2023 |
