| Genre and expression in extreme metal music, ca. 1990–2015 ET Smialek McGill University (Canada), 2015 | 96 | 2015 |
| Who needs to calm down? Taylor Swift and rainbow capitalism E Smialek Contemporary music review 40 (1), 99-119, 2021 | 39 | 2021 |
| Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» E Smialek McGill University, 2009 | 31 | 2009 |
| A spectrographic analysis of vocal techniques in extreme metal for musicological analysis E Smialek, P Depalle, D Brackett ICMC, 2012 | 24 | 2012 |
| 7 The Unforgiven E Smialek Global Metal Music and Culture, 106, 2016 | 14 | 2016 |
| Unending eruptions: White-collar metal appropriations of classical complexity, experimentation, elitism, and cultural legitimization E Smialek, MR St-Laurent The Routledge Companion to Popular Music Analysis, 378-398, 2018 | 13 | 2018 |
| Getting medieval: Signifiers of the middle-ages in black metal aesthetics E Smialek Medievalism and Metal Music Studies: Throwing Down the Gauntlet, 35-55, 2019 | 9 | 2019 |
| Musical aspects of vowel formants in the extreme metal voice E Smialek, P Depalle, D Brackett Dafx12. York. Ac. Uk, 1-8, 2012 | 7 | 2012 |
| Re-thinking metal aesthetics: Complexity, authenticity, and audience in Meshuggah’s I and Catch 33’ E Smialek MA thesis, Montreal: McGill University, https://escholarship. mcgill. ca …, 2020 | 6 | 2020 |
| Contempt-of-core: A reception history of metalcore subgenres as abject genres E Smialek The Cambridge Companion to Metal Music, 281-298, 2023 | 4 | 2023 |
| Dis-ruptions: Heavy metal appropriations of disability in media E Smialek, S Bassler Heavy metal and disability, 95-112, 2024 | 1 | 2024 |
| Towards an Analytical Methodology for Vocalists’ Live Movements in Extreme Metal E Smialek, J Herbst Samples, 2024 | | 2024 |
| Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses E Smialek Musical Scenes and Social Class: Debating Punk and Metal, 123-154, 2024 | | 2024 |
| Towards an Acoustic-Semantic Space of Extreme Metal Vocal Styles I Czedik-Eysenberg, E Smialek, JP Herbst Fortschritte der Akustik: DAGA 2024, 50. Jahrestagung der Deutschen …, 2024 | | 2024 |
| Rainbow Capitalism E Smialek, K van Vliet The SAGE Encyclopedia of LGBTQ+ Studies, 1062-1065, 2024 | | 2024 |
| Recentrer la musique. 1. Audiotactilité et ontologie de l’oeuvre musicale: musique d’écriture, jazz, pop, rock, by Laurent Cugny, Lyon, Symétrie, 2021, 368 pages E Smialek Revue musicale OICRM 11 (1), 204-212, 2024 | | 2024 |
| Taxonomies du métal E Smialek, N Calvé Volume! 202 (2), 109-138, 2023 | | 2023 |
| White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization E Smialek, MR St-Laurent The Routledge Companion to Popular Music Analysis: Expanding Approaches, 378, 2018 | | 2018 |
| Le phallus en forme de Dieu: Préservation de l’identité au sein du milieu international du métal chrétien E Smialek Théologiques 26 (1), 147-183, 2018 | | 2018 |
| Dangerous. By Susan Fast. 33 1/3 Series. New York: Bloomsbury, 2014. E Smialek Journal of the Society for American Music 11 (2), 232-235, 2017 | | 2017 |
