| Genre and expression in extreme metal music, ca. 1990–2015 ET Smialek McGill University (Canada), 2015 | 81 | 2015 |
| Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» E Smialek McGill University, 2009 | 35 | 2009 |
| Who needs to calm down? Taylor Swift and rainbow capitalism E Smialek Contemporary music review 40 (1), 99-119, 2021 | 22 | 2021 |
| A spectrographic analysis of vocal techniques in extreme metal for musicological analysis E Smialek, P Depalle, D Brackett ICMC, 2012 | 20 | 2012 |
| The Unforgiven: A Reception Study of Metallica Fans and ‘Sell-Out’Accusations 1 E Smialek Global Metal Music and Culture, 106-124, 2016 | 15 | 2016 |
| Unending eruptions: White-collar metal appropriations of classical complexity, experimentation, elitism, and cultural legitimization E Smialek, MR St-Laurent The Routledge Companion to Popular Music Analysis, 378-398, 2018 | 9 | 2018 |
| Getting medieval: Signifiers of the middle-ages in black metal aesthetics E Smialek Medievalism and Metal Music Studies: Throwing Down the Gauntlet, 35-55, 2019 | 6 | 2019 |
| Musical aspects of vowel formants in the extreme metal voice E Smialek, P Depalle, D Brackett Dafx12. York. Ac. Uk, 1-8, 2012 | 5 | 2012 |
| Le phallus en forme de Dieu: Préservation de l’identité au sein du milieu international du métal chrétien E Smialek Théologiques 26 (1), 147-183, 2018 | 1 | 2018 |
| Dis-ruptions: Heavy Metal Appropriations of Disability in Media E Smialek, S Bassler Heavy Metal and Disability, 95-112, 2024 | | 2024 |
| Rainbow Capitalism E Smialek, K van Vliet The SAGE Encyclopedia of LGBTQ+ Studies, 1062-1065, 2024 | | 2024 |
| Taxonomies du métal: Les univers parallèles d’un genre E Smialek, N Calvé Volume!, 109-138, 2024 | | 2024 |
| Contempt-of-Core: A Reception History of Metalcore Subgenres as Abject Genres E Smialek The Cambridge Companion to Metal Music, 281-298, 2023 | | 2023 |
| White-Collar Metal Appropriations of Classical Complexity, Experimentation, Elitism, and Cultural Legitimization E Smialek, MR St-Laurent The Routledge Companion to Popular Music Analysis: Expanding Approaches, 378, 2018 | | 2018 |
| Dangerous. By Susan Fast. 33 1/3 Series. New York: Bloomsbury, 2014. E Smialek Journal of the Society for American Music 11 (2), 232-235, 2017 | | 2017 |
| METAL (&) MUSICOLOGY 2016 P Ribaldini, E Lilja, S Gamble, E Smialek, MR St-Laurent, O Coggins, ... | | 2016 |
| Rethinking metal aesthetics: complexity, authenticity, and audience in Meshuggah's «I» and «Catch Thirtythr33» E Smialek Library and Archives Canada= Bibliothèque et Archives Canada, Ottawa, 2010 | | 2010 |
