| Parsing English with a link grammar DDK Sleator, D Temperley arXiv preprint cmp-lg/9508004, 1995 | 1335 | 1995 |
| The cognition of basic musical structures D Temperley MIT press, 2004 | 1295 | 2004 |
| Music and probability D Temperley Mit Press, 2007 | 637 | 2007 |
| A corpus analysis of rock harmony T De Clercq, D Temperley Popular Music 30 (1), 47-70, 2011 | 400 | 2011 |
| Do grammars minimize dependency length? D Gildea, D Temperley Cognitive Science 34 (2), 286-310, 2010 | 275 | 2010 |
| What's key for key? The Krumhansl-Schmuckler key-finding algorithm reconsidered D Temperley Music Perception 17 (1), 65-100, 1999 | 236 | 1999 |
| Syncopation in rock: a perceptual perspective D Temperley Popular music 18 (1), 19-40, 1999 | 215 | 1999 |
| Grammatical trigrams: A probabilistic model of link grammar J Lafferty, D Sleator, D Temperley School of Computer Science, Carnegie Mellon University, 1992 | 213 | 1992 |
| The melodic-harmonic ‘divorce’in rock D Temperley Popular Music 26 (2), 323-342, 2007 | 203 | 2007 |
| Modeling meter and harmony: A preference-rule approach D Temperley, D Sleator Computer Music Journal 23 (1), 10-27, 1999 | 186 | 1999 |
| Minimization of dependency length in written English D Temperley Cognition 105 (2), 300-333, 2007 | 184 | 2007 |
| Meter and grouping in African music: A view from music theory D Temperley Ethnomusicology 44 (1), 65-96, 2000 | 166 | 2000 |
| Statistical analysis of harmony and melody in rock music D Temperley, T Clercq Journal of New Music Research 42 (3), 187-204, 2013 | 158 | 2013 |
| Pitch-class distribution and the identification of key D Temperley, EW Marvin Music Perception 25 (3), 193-212, 2008 | 148 | 2008 |
| The musical language of rock D Temperley Oxford University Press, 2018 | 126 | 2018 |
| A unified probabilistic model for polyphonic music analysis D Temperley Journal of New Music Research 38 (1), 3-18, 2009 | 110 | 2009 |
| A probabilistic model of melody perception D Temperley Cognitive Science 32 (2), 418-444, 2008 | 110 | 2008 |
| Communicative pressure and the evolution of musical styles D Temperley Music Perception 21 (3), 313-337, 2004 | 105 | 2004 |
| Emotional connotations of diatonic modes D Temperley, D Tan Music Perception: An Interdisciplinary Journal 30 (3), 237-257, 2012 | 103 | 2012 |
| Ambiguity avoidance in English relative clauses D Temperley Language, 464-484, 2003 | 102 | 2003 |
Daniel SleatorProfessor of Computer Science, Carnegie Mellon UniversityVerified email at cs.cmu.edu
