| Photography, anthropology and history: expanding the frame E Edwards Routledge, 2016 | 108 | 2016 |
| Remembering the house: Memory and materiality in Northern Botswana C Morton Journal of material culture 12 (2), 157-179, 2007 | 63 | 2007 |
| The anthropologist as photographer: reading the monograph and reading the archive C Morton Taylor & Francis Group 18 (4), 389-405, 2005 | 28 | 2005 |
| Photographs, museums, collections: between art and Information E Edwards, C Morton Bloomsbury Publishing, 2015 | 26 | 2015 |
| The African Photographic Archive: research and curatorial strategies C Morton, D Newbury Routledge, 2020 | 21 | 2020 |
| Transformations: the art of recycling J Coote, C Morton, J Nicholson, J Birmingham Pitt Rivers Museum, 2000 | 21 | 2000 |
| Fixity and fluidity: chiefly authority and settlement movement in colonial Botswana C Morton History and Anthropology 15 (4), 345-365, 2004 | 19 | 2004 |
| Between art and information: towards a collecting history of photographs E Edwards, C Morton Photographs, museums, collections: between art and information, 3-23, 2015 | 17 | 2015 |
| Photography and the comparative method: the construction of an anthropological archive C Morton Journal of the Royal Anthropological Institute 18 (2), 369-396, 2012 | 17 | 2012 |
| Double alienation: Evans-Pritchard's Zande and Nuer photographs in comparative perspective C Morton Photography in Africa: Ethnographic Perspectives, 33-55, 2012 | 12 | 2012 |
| Fieldwork and the Participant-Photographer: E.E. Evans-Pritchard and the Nuer Rite of gorot C Morton Visual Anthropology 22 (4), 252-274, 2009 | 12 | 2009 |
| The ancestral image in the present tense C Morton Photographies 8 (3), 253-270, 2015 | 8 | 2015 |
| A glimpse of the Guinea Coast: regarding an African exhibition at the Pitt Rivers Museum J Coote, C Morton Journal of Museum Ethnography, 39-56, 2000 | 8 | 2000 |
| The initiation of Kamanga: visuality and textuality in Evans-Pritchard’s Zande ethnography C Morton Photography, Anthropology and History: Expanding the Frame, 119-42, 2009 | 7 | 2009 |
| Multiple Collections and Fluid Meanings: Alfred Maudslay’s Archaeological Photographs at the British Museum,’ D Shields, E Edwards, C Morton Photographs, Museums, Collections: Between Art and Information, 27-46, 2015 | 6 | 2015 |
| Introduction: Relocating the African photographic archive C Morton, D Newbury The African Photographic Archive: Research and Curatorial Strategies, 1-16, 2015 | 6 | 2015 |
| " PARO MANENE": EXHIBITING PHOTOGRAPHIC HISTORIES IN WESTERN KENYA C Morton, G Oteyo Journal of Museum Ethnography, 155-164, 2009 | 6 | 2009 |
| Elizabeth Edwards, eds. 2009 C Morton Photography, anthropology, and history. Expanding the frame, 0 | 5 | |
| Observations from the Interface: Photography, Ethnography, and Digital Projects at the Pitt Rivers Museum C Morton Uncertain Images: Museums and the Work of Photographs, 243-60, 2014 | 4 | 2014 |
| The Paro Manene Project: Exhibiting and Researching Photographic Histories in Western Kenya C Morton, G Oteyo The International Handbooks of Museum Studies, 311-335, 2013 | 4 | 2013 |
Haidy GeismarUniversity College LondonVerified email at ucl.ac.uk
Haidy GeismarUniversity College LondonVerified email at ucl.ac.uk