David Moffat
TitleCited byYear
Web Audio Evaluation Tool: A Browser-Based Listening Test Environment
N Jillings, B De Man, D Moffat, JD Reiss
Sound and Music Computing 2015, 2015
432015
An Evaluation Of Audio Feature Extraction Toolboxes
D Moffat, D Ronan, JD Reiss
Digital Audio Effects 2015 (DAFx), 2015
392015
Automatic Subgrouping Of Multitrack Audio
D Ronan, D Moffat, H Gunes, JD Reiss
Digital Audio Effects 2015 (DAFx), 2015
182015
Web audio evaluation tool: A framework for subjective assessment of audio
N Jillings, D Moffat, B De Man, JD Reiss, R Stables
Georgia Institute of Technology, 2016
122016
Modal synthesis of weapon sounds
L Mengual, D Moffat, JD Reiss
102016
Sound synthesis of objects swinging through air using physical models
R Selfridge, D Moffat, J Reiss
Applied Sciences 7 (11), 1177, 2017
72017
Real-Time Physical Model for Synthesis of Sword Swing Sounds
R Selfridge, D Moffat, JD Reiss
14th International Conference on Sound and Music Computing 14, 2017
72017
Real-time physical model of an Aeolian harp
R Selfridge, D Moffat, J Reiss, E Avital
62017
Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models
R Selfridge, D Moffat, EJ Avital, JD Reiss
Journal of the Audio Engineering Society 66 (7/8), 594-607, 2018
5*2018
Physically Derived Sound Synthesis Model of a Propeller
R Selfridge, D Moffat, JD Reiss
Sound and Music Computing Conference 2017, 2017
52017
What do your footsteps sound like? An investigation on interactive footstep sounds adjustment
L Turchet, D Moffat, JD Reiss, T Stockman
Applied Acoustics 111, 77-85, 2016
52016
Unsupervised Taxonomy of Sound Effects
D Moffat, D Ronan, JD Reiss
20th International Conference on Digital Audio Effects (DAFx17) 20, 2017
42017
Subjective comparison of music production practices using the Web Audio Evaluation Tool
N Jillings, B De Man, D Moffat, JD Reiss, R Stables
2nd AES Workshop on Intelligent Music Production, 2016
42016
Perceptual Evaluation of Synthesized Sound Effects
D Moffat, JD Reiss
ACM Transactions on Applied Perception (TAP) 15 (2), 13, 2018
32018
The impact of compressor ballistics on the perceived style of music
G Bromham, D Moffat, M Barthet, G Fazekas
Audio Engineering Society Convention 145, 2018
22018
Implementation and assessment of joint source separation and dereverberation
D Moffat, JD Reiss
Audio Engineering Society Conference: 60th International Conference: DREAMS …, 2016
22016
Adaptive Ballistics Control of Dynamic Range Compression for Percussive Tracks
D Moffat, M Sandler
Audio Engineering Society Convention 145, 2018
12018
Towards a Semantic Web Representation and Application of Audio Mixing Rules
D Moffat, F Thalmann, MB Sandler
Proceedings of the 4th Workshop on Intelligent Music Production (WIMP04), 2018
12018
Automatic Mixing Level Balancing Enhanced through Source Interference Identification
D Moffat, M Sandler
Audio Engineering Society Convention 146, 2019
2019
Objective Evaluations of Synthesised Environmental Sounds
D Moffat, JD Reiss
21th International Conference on Digital Audio Effects (DAFx-18), 2018
2018
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Articles 1–20