| Aesthetic art to aisthetic act: theatre, media, intermedial performance PM Boenisch Intermediality in theatre and performance, 103-116, 2006 | 146 | 2006 |
| Directing scenes and senses: The thinking of Regie PM Boenisch Directing scenes and senses, 2015 | 78 | 2015 |
| coMEDIA electronica: Performing intermediality in contemporary theatre PM Boenisch Theatre Research International 28 (1), 34-45, 2003 | 55 | 2003 |
| The Theatre of Thomas Ostermeier PM Boenisch, T Ostermeier Routledge, 2016 | 50 | 2016 |
| Acts of Spectating PM Boenisch Katalin Trencsényi & Bernadette Cochrane (red.), New Dramaturgy …, 2014 | 46 | 2014 |
| Towards a theatre of encounter and experience: Reflexive dramaturgies and classic texts PM Boenisch Contemporary Theatre Review 20 (2), 162-172, 2010 | 45 | 2010 |
| Other people live: Rimini protokoll and their'theatre of experts' PM Boenisch Contemporary Theatre Review 18 (1), 107-113, 2008 | 26 | 2008 |
| körPerformance 1.0. Theorie und Analyse von Körper-und Bewegungsdarstellungen im zeitgenössischen Theater PM Boenisch München: epodium, 2002 | 22 | 2002 |
| Thomas Ostermeier: Mission neo (n) realism and a theatre of actors and authors PM Boenisch Routledge, 2010 | 20 | 2010 |
| Mediation Unfinished: Choreographing Intermediality in Contemporary Dance Performance PM Boenisch Intermediality in Theatre and Performance, 151-166, 2006 | 18 | 2006 |
| Exposing the classics: Michael Thalheimer's Regie beyond the text PM Boenisch Contemporary Theatre Review 18 (1), 30-43, 2008 | 14 | 2008 |
| What Happened to Our Nation of Culture?: Staging the Theatre of the Other Germany PM Boenisch Theatre and National Identity, 145-160, 2014 | 12 | 2014 |
| ‘The More Political We Are, the Better We Sell’: A Conversation about the Political Potential of Directing Classical Drama and the Nasty Traps of Today’s Cultural Industry T Ostermeier, PM Boenisch Performance Paradigm 10, 2014 | 12 | 2014 |
| Border Collisions-Contemporary Flemish Theatre L Orozco, PM Boenisch Routledge 20 (4), 397-404, 2010 | 11 | 2010 |
| Decreation Inc.: William Forsythe's equations of ‘bodies before the name’ PM Boenisch Contemporary Theatre Review 17 (1), 15-27, 2007 | 11 | 2007 |
| Tanz als Körper-Zeichen: Zur Methodik der Theater-Tanz-Semiotik PM Boenisch na, 2015 | 9 | 2015 |
| Tanztheorie und Sprechtheater. Perspektiven der Analyse von Körperzeichen im zeitgenössischen Theater PM Boenisch Theatralia, Documenta Choreologica, 2000 | 9 | 2000 |
| The Theatre of Thomas Ostermeier T Ostermeier Routledge, 2016 | 8 | 2016 |
| Der Darsteller auf der Bühne: Klangkörper<> Zeichenkörper. Zur Problematik der Korporealität (nicht nur) im Musiktheater PM Boenisch Gunter Narr, 2002 | 8 | 2002 |
| Drama—Dramaturgie PM Boenisch Handbuch Drama: Theorie, Analyse, Geschichte, 43-52, 2012 | 7 | 2012 |
