| Nothing personal: algorithmic individuation on music streaming platforms R Prey Media, Culture & Society 40 (7), 1086-1100, 2018 | 291 | 2018 |
| Locating power in platformization: Music streaming playlists and curatorial power R Prey Social Media+ Society 6 (2), 2056305120933291, 2020 | 139 | 2020 |
| Musica analytica: The datafication of listening R Prey Networked music cultures: Contemporary approaches, emerging issues, 31-48, 2016 | 107 | 2016 |
| Value, rent, and the political economy of social media J Rigi, R Prey The Information Society 31 (5), 392-406, 2015 | 104 | 2015 |
| Value, rent, and the political economy of social media J Rigi, R Prey The Information Society 31 (5), 392-406, 2015 | 101 | 2015 |
| Platform pop: disentangling Spotify’s intermediary role in the music industry R Prey, M Esteve Del Valle, L Zwerwer Information, Communication & Society 25 (1), 74-92, 2022 | 92 | 2022 |
| Knowing me, knowing you: Datafication on music streaming platforms R Prey Big Data und Musik: Jahrbuch für Musikwirtschafts-und Musikkulturforschung 1 …, 2019 | 36 | 2019 |
| From personal to personalized memory: Social media as mnemotechnology R Prey, R Smit A networked self and birth, life, death, 209-223, 2018 | 34 | 2018 |
| The network’s blindspot: Exclusion, exploitation and Marx’s process-relational ontology R Prey tripleC: Communication, Capitalism & Critique. Open Access Journal for a …, 2012 | 29 | 2012 |
| Different takes: Migrant world television and multiculturalism in South Korea R Prey Global Media Journal 4 (1), 109, 2011 | 27 | 2011 |
| The Platformization of Cultural Production T Poell, BE Duffy, DB Nieborg, R Prey, S & Cunningham Selected Papers of# AoIR2017-The 18th Annual Conference of Internet Researchers., 2017 | 26 | 2017 |
| Background by Design: Listening in the Age of Streaming R Prey Naxos Musicology International 1 (1), 2019 | 20 | 2019 |
| Henri Lefebvre and the production of music streaming spaces R Prey Sociologica 9 (3), 0-0, 2015 | 19 | 2015 |
| Engineering culture: Logics of optimization in music, games, and apps JW Morris, R Prey, DB Nieborg Review of Communication 21 (2), 161-175, 2021 | 18 | 2021 |
| “Now Playing. You”: Big Data and the Production of Music Streaming Space. R Prey Simon Fraser University, 2015 | 17 | 2015 |
| Performing Numbers R Prey The performance complex: Competition and competitions in social life, 241, 2020 | 13 | 2020 |
| How do you say'imperialism'? The English language teaching industry and the culture of imperialism in South Korea R Prey Simon Fraser University, 2005 | 11 | 2005 |
| Visions of democracy: The communication and transformation of revolutionary ideologies in South Korea R Prey Global Media Journal 3 (4), 5, 2004 | 11 | 2004 |
| Between migrant and Minjung: The changing face of migrant cultural activism in Korea J Doucette, R Prey The Asia-Pacific Journal 12 (2), 2010 | 9 | 2010 |
| Playlists and the Datafication of Music Formatting R Prey Listen to Lists, 33-46, 2021 | 6 | 2021 |
