| Action-Sound Latency: Are Our Tools Fast Enough? A McPherson, RH Jack, G Moro Proceedings of the international conference on new interfaces for musical …, 2016 | 115 | 2016 |
| Making High-Performance Embedded Instruments with Bela and Pure Data G Moro, A Bin, R Jack, C Heinrichs, A McPherson Proceedings of the 2016 International Conference on Live Interfaces, 2016 | 62 | 2016 |
| Action-sound latency and the perceived quality of digital musical instruments: Comparing professional percussionists and amateur musicians RH Jack, A Mehrabi, T Stockman, A McPherson Music Perception: An Interdisciplinary Journal 36 (1), 109-128, 2018 | 55 | 2018 |
| Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the Audio Mostly 2016, 116-123, 2016 | 48 | 2016 |
| Designing Tactile Musical Devices with and for Deaf Users: a Case Study R JACK, A MCPHERSON, T STOCKMAN Proceedings of the International Conference on the Multimodal Experience of …, 2015 | 38 | 2015 |
| Digital Musical Instruments as Research Products RH Jack, J Harrison, AP McPherson Proceedings of the international conference on new interfaces for musical …, 2020 | 37 | 2020 |
| Rich gesture, reduced control: the influence of constrained mappings on performance technique RH Jack, T Stockman, A McPherson 4th International Conference on Movement Computing (MOCO'17), London, United …, 2017 | 34 | 2017 |
| Democratising DMIs: the relationship of expertise and control intimacy RH Jack, J Harrison, F Morreale, A McPherson NIME 2018, 2018 | 31 | 2018 |
| When is a guitar not a guitar? cultural form, input modality and expertise J Harrison, R Jack, F Morreale, A McPherson New Interfaces for Musical Expression, 2018 | 22 | 2018 |
| DMI Apprenticeship: Sharing and Replicating Musical Artefacts E Zayas-Garin, J Harrison, R Jack, A McPherson NIME 2021, 2021 | 12 | 2021 |
| Tangibility and Richness in Digital Musical Instrument Design RH Jack Queen Mary University of London, 2019 | 5 | 2019 |
| Sound-> object-> gesture: Physical affordances of virtual materials J Pigrem, A Mcpherson, N Bryan-Kinns, R Jack Proceedings of the 17th International Audio Mostly Conference, 59-66, 2022 | 4 | 2022 |
| Maintaining and Constraining Performer Touch in the Design of Digital Musical Instruments RH Jack, T Stockman, A McPherson Proceedings of the TEI'17: Eleventh International Conference on Tangible …, 2017 | 4 | 2017 |
| Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback RH Jack, T Stockman, A McPherson Proceedings of the TEI'16: Tenth International Conference on Tangible …, 2016 | 4 | 2016 |
| Bela A McPherson, V Zappi, G Moro, L Donovan, C Heinrichs, A Bin, R Jack, ... | 2 | 2015 |
| NIMEcraft Workshop: Exploring the Subtleties of Digital Lutherie A McPherson, JDK ARMITAGE, SMA BIN, F Morreale, R Jack | | 2017 |
| The design of tactile musical devices for the deaf R JACK, A MCPHERSON, T STOCKMAN | | |
Andrew McPhersonChair in Design Engineering and Music, Imperial College LondonVerified email at imperial.ac.uk
