| Introduction to Adapting the Nineteenth Century: Revisiting, Revising and Rewriting the Past AL Bowler, J Cox Journal of Neo-Victorian Studies 2 (2), 1-17, 2010 | 80 | 2010 |
| Towards a new sexual conservatism in postfeminist romantic comedy AL Bowler Postfeminism and contemporary Hollywood cinema, 185-203, 2013 | 18 | 2013 |
| eXistenZ and the spectre of gender in the cyber-generation AL Bowler New Cinemas: Journal of Contemporary Film 5 (2), 99-114, 2007 | 7 | 2007 |
| ‘Killing romance’ by ‘giving birth to love’: Hélène Cixous, Jane Campion and the language of In the Cut (2003) AL Bowler Feminist Theory 20 (1), 93-112, 2019 | 3 | 2019 |
| ‘Only another man’: Homosociality in Jane Campion’s Bright Star and The Power of the Dog AL Bowler ReFocus: The Films of Jane Campion, 91-107, 2023 | | 2023 |
| Introduction: Unruly Filmmaker, Fellow Traveller - Alexia L. Bowler and Adele Jones AL Bowler, A Jones ReFocus: The Films of Jane Campion, 1-15, 2023 | | 2023 |
| Who's Afraid of Virginia Woolf? | Becoming Richard Burton AL Bowler Wales Arts Review (https://www.walesartsreview.org/becoming-richard-burton …, 2021 | | 2021 |
Jessica CoxReader in English Literature, Brunel University LondonVerified email at brunel.ac.uk
Jessica CoxReader in English Literature, Brunel University LondonVerified email at brunel.ac.uk