Pierre Alexandre Tremblay
Pierre Alexandre Tremblay
Professor of Composition and Improvisation, CeReNeM, University of Huddersfield
Verified email at - Homepage
Cited by
Cited by
The HISSTools impulse response toolbox: Convolution for the masses
A Harker, PA Tremblay
Proceedings of the international computer music conference, 148-155, 2012
Thinking inside the box: A new integrated approach to mixed music composition and performance
PA Tremblay, S McLaughlin
International Computer Music Conference Proceedings 2009, 379-386, 2009
Post-Acousmatic Practice: Re-evaluating Schaeffer’s Heritage
M Adkins, R Scott, PA Tremblay
Organised Sound 21 (2), 106-116, 2016
Surfing the waves: Live audio mosaicing of an electric bass performance as a corpus browsing interface
PA Tremblay, D Schwarz
NIME 2010, 447-450, 2010
HELO: the laptop ensemble as an incubator for individual laptop performance practices
S Hewitt, PA Tremblay, S Freeman, G Booth
ICMA 2010, 304-307, 2010
Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces.
G Roma, O Green, PA Tremblay
NIME, 313-318, 2019
From collections to corpora: Exploring sounds through fluid decomposition
PA Tremblay, O Green, G Roma, A Harker
International Computer Music Conference and New York City Electroacoustic …, 2019
Mixing the Immiscible: Improvisation within Fixed-Media Composition
PA Tremblay
Proceedings of the Electroacoustic Music Studies Conference Meaning and …, 2012
Notational approaches for laptop ensembles
S Hewitt, PA Tremblay
Proceedings of the Symposium on Laptop Ensembles and Orchestras, 72-75, 2012
Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup
PA Tremblay, N Boucher, S Pohu
Enabling programmatic data mining as musicking: The fluid corpus manipulation toolkit
PA Tremblay, G Roma, O Green
Computer Music Journal 45 (2), 9-23, 2021
Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression
D Schwarz, PA Tremblay, A Harker
New Interfaces for Musical Expression (NIME), 1-1, 2014
Time scale modification of audio using non-negative matrix factorization
G Roma, O Green, PA Tremblay
Proceedings of the International Conference on Digital Audio Effects, 213-218, 2019
Improving single-network single-channel separation of musical audio with convolutional layers
G Roma, O Green, PA Tremblay
Latent Variable Analysis and Signal Separation: 14th International …, 2018
Pragmatic considerations in mixed music: A case study of La Rage
PA Tremblay
Proceedings of the International Computer Music Conference, 527-530, 2006
Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora
O Green, PA Tremblay, G Roma
Electroacoustic Music Studies Network Conference: Electroacoustic Music: Is …, 2019
Digging it: Programmatic data mining as musicking
PA Tremblay, G Roma, O Green
International Computer Music Conference 2021, 295-300, 2021
Rethinking the box: Approaches to the reality of electronic music performance
A Harker, PA Tremblay
A General Framework for Visualization of Sound Collections in Musical Interfaces
G Roma, A Xambó, O Green, PA Tremblay
Applied Sciences 11 (24), 11926, 2021
Audio morphing using matrix decomposition and optimal transport
G Roma, O Green, PA Tremblay
Proceedings of the International Conference on Digital Audio Effects, 147-154, 2020
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