| The HISSTools impulse response toolbox: Convolution for the masses A Harker, PA Tremblay Proceedings of the international computer music conference, 148-155, 2012 | 62 | 2012 |
| Thinking inside the box: A new integrated approach to mixed music composition and performance PA Tremblay, S McLaughlin International Computer Music Conference Proceedings 2009, 379-386, 2009 | 28 | 2009 |
| Post-Acousmatic Practice: Re-evaluating Schaeffer’s Heritage M Adkins, R Scott, PA Tremblay Organised Sound 21 (2), 106-116, 2016 | 26 | 2016 |
| Surfing the waves: Live audio mosaicing of an electric bass performance as a corpus browsing interface PA Tremblay, D Schwarz NIME 2010, 447-450, 2010 | 25 | 2010 |
| HELO: the laptop ensemble as an incubator for individual laptop performance practices S Hewitt, PA Tremblay, S Freeman, G Booth ICMA 2010, 304-307, 2010 | 18 | 2010 |
| Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces. G Roma, O Green, PA Tremblay NIME, 313-318, 2019 | 17 | 2019 |
| From collections to corpora: Exploring sounds through fluid decomposition PA Tremblay, O Green, G Roma, A Harker International Computer Music Conference and New York City Electroacoustic …, 2019 | 16 | 2019 |
| Mixing the Immiscible: Improvisation within Fixed-Media Composition PA Tremblay Proceedings of the Electroacoustic Music Studies Conference Meaning and …, 2012 | 14 | 2012 |
| Notational approaches for laptop ensembles S Hewitt, PA Tremblay Proceedings of the Symposium on Laptop Ensembles and Orchestras, 72-75, 2012 | 11 | 2012 |
| Real-time processing on the road: a guided tour of [iks]'s abstr/cncr setup PA Tremblay, N Boucher, S Pohu | 11 | 2007 |
| Enabling programmatic data mining as musicking: The fluid corpus manipulation toolkit PA Tremblay, G Roma, O Green Computer Music Journal 45 (2), 9-23, 2021 | 10 | 2021 |
| Rich Contacts: Corpus-Based Convolution of Audio Contact Gestures for Enhanced Musical Expression D Schwarz, PA Tremblay, A Harker New Interfaces for Musical Expression (NIME), 1-1, 2014 | 10 | 2014 |
| Time scale modification of audio using non-negative matrix factorization G Roma, O Green, PA Tremblay Proceedings of the International Conference on Digital Audio Effects, 213-218, 2019 | 8 | 2019 |
| Improving single-network single-channel separation of musical audio with convolutional layers G Roma, O Green, PA Tremblay Latent Variable Analysis and Signal Separation: 14th International …, 2018 | 8 | 2018 |
| Pragmatic considerations in mixed music: A case study of La Rage PA Tremblay Proceedings of the International Computer Music Conference, 527-530, 2006 | 8 | 2006 |
| Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora O Green, PA Tremblay, G Roma Electroacoustic Music Studies Network Conference: Electroacoustic Music: Is …, 2019 | 7 | 2019 |
| Digging it: Programmatic data mining as musicking PA Tremblay, G Roma, O Green International Computer Music Conference 2021, 295-300, 2021 | 6 | 2021 |
| Rethinking the box: Approaches to the reality of electronic music performance A Harker, PA Tremblay | 5 | 2013 |
| A General Framework for Visualization of Sound Collections in Musical Interfaces G Roma, A Xambó, O Green, PA Tremblay Applied Sciences 11 (24), 11926, 2021 | 4 | 2021 |
| Audio morphing using matrix decomposition and optimal transport G Roma, O Green, PA Tremblay Proceedings of the International Conference on Digital Audio Effects, 147-154, 2020 | 4 | 2020 |
Owen GreenUniversity of HuddersfieldVerified email at hud.ac.uk
