Live Electronics in Practice: Approaches to training professional performers J Bullock, L Coccioli, J Dooley, T Michailidis Organised Sound 18 (2), 170-177, 2013 | 21 | 2013 |
IMPROVING PERFORMERS’MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY T Michailidis, J Bullock SMC, 2011 | 14 | 2011 |
TACTILE FEEDBACK TOOL: APPROACHING THE FOOT PEDAL PROBLEM IN LIVE ELECTRONIC MUSIC T Michailidis, S Berweck ICMC 2011, 2011 | 13 | 2011 |
Human-sound interaction: towards a human-centred sonic interaction design approach BD Donato, C Dewey, T Michailidis Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020 | 10 | 2020 |
On the hunt for feedback: vibrotactile feedback in interactive electronic music performances T Michailidis Birmingham City University, 2016 | 10 | 2016 |
Towards a live interface for direct manipulation of spatial audio J Bullock, T Michailidis, M Poyade Proceedings of the international conference on live interfaces, 2016 | 9 | 2016 |
Implementing remote audio as a diagnostics tool for maritime autonomous surface ships T Michailidis, G Meadow, C Barlow, E Rajabally 2020 27th Conference of Open Innovations Association (FRUCT), 157-163, 2020 | 8 | 2020 |
Using immersive audio and vibration to enhance remote diagnosis of mechanical failure in uncrewed vessels C Barlow, T Michailidis, G Meadow, J Gouch, E Rajabally Audio Engineering Society Conference: 2019 AES International Conference on …, 2019 | 8 | 2019 |
Making Graphical Scores More Accessible: A Case Study C Karpodini, T Michailidis Proceedings of the International Conference on Technologies for Music …, 2022 | 5 | 2022 |
Harnessing Ancillary Microgestures in Piano Technique: Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument N Granieri, J Dooley, T Michailidis Innovation in Music, 269-282, 2019 | 3 | 2019 |
Improvising through the senses: a performance approach with the indirect use of technology T Michailidis, J Dooley, N Granieri, B Di Donato Digital Creativity 29 (2-3), 149-164, 2018 | 2 | 2018 |
Human-sound interaction B Di Donato, C Dewey, T Michailidis International Proceedings of the International Conference on New Interfaces …, 2020 | 1 | 2020 |
Enhance engine room diagnostics through audio-focused VR simulation T Michailidis, C Barlow, G Meadow, J Gouch, E Rajabally Human-Computer Interaction–INTERACT 2019: 17th IFIP TC 13 International …, 2019 | 1 | 2019 |
A multimodal integration of sensory feedback modalities for dance performers T Michailidis, D Polydorou, J Bullock | 1 | 2013 |
Rethinking Instrumental Interface Design: The MetaBow R Alonso Trillo, PAC Nelson, T Michailidis Computer Music Journal 47 (2), 5-20, 2023 | | 2023 |
Retaining pianistic virtuosity in# MIs: Exploring pre-existing gestural nuances for live sound modulation through a comparative study N Granieri, J Dooley, T Michailidis Innovation in Music, 146-161, 2021 | | 2021 |
I am not listening: poem object as hybrid publication in the post-digital era S Morfill, A Čavić, T Michailidis Smithsonian Scholarly Press, 2021 | | 2021 |
Enhancing spatial perception of virtual object through mid-air feedback for disabled users T Michailidis International Conference on Information, Communication Technologies in …, 2019 | | 2019 |
I am not listening T Michailidis, A Čavić, S Morfill The Electronic Literature Organization Conference & Media Arts Festiva, 2019 | | 2019 |
Implementing Microgestural Control Into an Expressive Keyboard-Based Hyper-Instrument N Granieri, J Dooley, T Michailidis Innovation in Music: Performance, Production, Technology, and Business, 2019 | | 2019 |