| The poetics and politics of polyphony: Towards a research method for interactive documentary J Aston, S Odorico Film and Screen Media, University College Cork, 2018 | 51 | 2018 |
| Between interactivity, reality and participation: The interactive documentary form S Odorico MEI Mediation and Information 39, 213-226, 2015 | 20 | 2015 |
| Documentary on the web between realism and interaction. A case study: From Zero—People Rebuilding Life after the Emergency (2009) S Odorico Studies in Documentary film 5 (2-3), 235-246, 2011 | 17 | 2011 |
| I-docs as intervention: the poetics and politics of polyphony J Aston, S Odorico Alphaville: Journal of Film and Screen Media, 1-8, 2018 | 9 | 2018 |
| Interactive Documentary: Its History and Future as a Polyphonic Form J Aston, S Odorico Interactive Documentary, 20-37, 2022 | 8 | 2022 |
| Returning to the ‘new normal’–why we need multi-perspectival thinking and understanding more than ever J Aston, S Odorico Three: d 34, 18, 2020 | 7 | 2020 |
| Enacting polyphony: an interview with Florian Thalhofer F Thalhofeer, J Aston, S Odorico Alphaville: Journal of Film and Screen Media, 106-112, 2018 | 7 | 2018 |
| Polyphony in practice: an interview with Sharon Daniel S Daniel, J Aston, S Odorico Film and Screen Media, University College Cork, 2018 | 5 | 2018 |
| Documentary film mutations for social justice: Introductory reflections F Canet, S Odorico, X Soengas Catalan Journal of Communication & Cultural Studies 12 (2), 169-180, 2020 | 3 | 2020 |
| Beyond the screen: interactive documentary exhibition in the festival sphere S Odorico Documentary Film Festivals Vol. 2: Changes, Challenges, Professional …, 2020 | 3 | 2020 |
| Marijke De Valck (2007) Film Festivals: From European Geopolitics to Global Cinephilia S Odorico Film-Philosophy 12 (2), 124-130, 2008 | 3 | 2008 |
| " That would be wrong": Errol Morris and his use of home movies (as metalanguages) in feature documentaries S Odorico Amateur Filmmaking: The Home Movie, the Archive, the Web, 163-176, 2014 | 2 | 2014 |
| Filmerfahrung und Zuschauer: Zwischen Kino, Museum und sozialen Netzwerken S Odorico, W Pauleit, C Rüffert, KH Schmid, A Tews Bertz+ Fischer, 2014 | 1 | 2014 |
| The Interactive Documentary Form: Aesthetics, Practice and Research S Odorico transcript Verlag, 2025 | | 2025 |
| Polyphonic Documentary: Interactive Practices S Odorico, J Aston Interactive Film & Media Journal 3 (2), 2023 | | 2023 |
| Exploring the Nexus of Care, Collaboration, and Craft H Moura, HR Cooley, S Odorico, P Zimmermann Interactive Film & Media Journal 3 (2), 2023 | | 2023 |
| Navigating Urban Spaces Through the Use of Interactive Visual Storytelling Methods: Leeds as a Case Study S Odorico, I Vecchi Interactive Film & Media Journal 3 (1), 60-66, 2023 | | 2023 |
| Interactive Epistemology, Listening, and Ecomedia II H Moura, HR Cooley, S Odorico Interactive Film & Media Journal 3 (1), 1-7, 2023 | | 2023 |
| Interactive Epistemology, Listening, and Ecomedia Proceedings I H Moura, HR Cooley, S Odorico Interactive Film & Media Journal 2 (4), 4-6, 2022 | | 2022 |
| An Interactive Territorial Study on Urban Spaces: Case Study-Leeds S Odorico, I Vecchi Interactive Film & Media Journal 2 (2), 2022 | | 2022 |
Judith AstonAssociate Professor, University of the West of England, Co-Founder of i-DocsVerified email at uwe.ac.uk
