| Searching for resonance: scientific patterns in Complicite's Mnemonic and A Disappearing Number L Campos Interdisciplinary Science Reviews 32 (4), 326-334, 2007 | 44 | 2007 |
| Science in contemporary British theatre: a conceptual approach L Campos Interdisciplinary Science Reviews 38 (4), 295-305, 2013 | 19 | 2013 |
| Sciences en scène: dans le théâtre britannique contemporain L Campos Presses universitaires de Rennes, 2018 | 14 | 2018 |
| The epistemic revolution induced by microbiome studies: an interdisciplinary view E Bapteste, P Gerard, C Larose, M Blouin, F Not, L Campos, G Aïdan, ... Biology 10 (7), 651, 2021 | 13 | 2021 |
| Science and theatre in open dialogue: Biblioetica, Le Cas de Sophie K. and the postdramatic science play L Campos, K Shepherd-Barr Interdisciplinary Science Reviews 31 (3), 245-253, 2006 | 12 | 2006 |
| Quantum Configurations in Nick Payne’s Constellations L Campos Études britanniques contemporaines. Revue de la Société dʼétudes anglaises …, 2013 | 6 | 2013 |
| This is Not a Chair: Complicite's Master and Margarita L Campos New Theatre Quarterly 30 (2), 175-182, 2014 | 5 | 2014 |
| Ali Smith's Parasitic Poetics L Campos MFS Modern Fiction Studies 68 (2), 346-369, 2022 | 3 | 2022 |
| Lectures de Tom Stoppard: Arcadia L Campos, J Vatain | 3 | 2011 |
| Le modèle scientifique dans le théâtre de Tom Stoppard L Campos Epistémocritique 2, 2008 | 3 | 2008 |
| Life, Re-Scaled: The Biological Imagination in Twenty-First-Century Literature and Performance L Campos, PL Patoine Open Book Publishers, 2022 | 2 | 2022 |
| ‘Wheels have been set in motion’: Geocentrism and Relativity in Tom Stoppard’s Rosencrantz and Guildenstern Are Dead L Campos Spectacular Science, Technology and Superstition in the Age of Shakespeare …, 2017 | 2 | 2017 |
| ‘Any number is a shock’: Figuring humanity in Caryl Churchill’s A Number L Campos Coup de théâtre 26, 27-41, 2012 | 2 | 2012 |
| Rewriting the plot: Re-creations in contemporary British Comedy L Campos Etudes anglaises 58 (3), 336-348, 2005 | 2 | 2005 |
| Grasping extinction: the natural history museum as haptic space in the work of Clarke, Robinson and Jamie L Campos Textual Practice 37 (10), 1543-1567, 2023 | 1 | 2023 |
| Nouveaux paradigmes du virus et du parasite, entre littérature, biologie et théorie critique L Campos, PL Patoine Epistémocritique: Littérature et savoirs 17, 2018 | 1 | 2018 |
| Wired Brains and Living Networks: Simon McBurney’s Micropoetics, from Mnemonic to The Encounter L Campos Contemporary Theatre Review 27 (4), 497-511, 2017 | 1 | 2017 |
| The dialogue of art and science in Tom Stoppard's Arcadia L Campos | 1 | 2011 |
| Le discours scientifique dans le théâtre britannique contemporain (1988-2008) L Campos Paris 4, 2009 | 1 | 2009 |
| Côté Sciences L Campos | 1 | 2009 |
