Stefan Östersjö
Stefan Östersjö
Professor of Musical Performance at Luleå University of Technology
Verified email at - Homepage
Cited by
Cited by
Shut up'n'play! negotiating the musical work
S Östersjö
Beyond Validity.
H Frisk, S Östersjö
Swedish Journal of Music Research/Svensk Tidskrift För Musikforskning 95, 2013
The resistance of the Turkish Makam and the habitus of a performer. Reflections on a collaborative CD-project with Erdem Helvacioǧlu
S Östersjö
Contemporary Music Review 32 (2-3), 201-213, 2013
Fluid practices, solid roles?
EF Clarke, M Doffman, D Gorton, S Östersjö
Distributed Creativity: Collaboration and Improvisation in Contemporary …, 2017
Habitus and the Resistance of Culture
K Coessens, S Östersjö
Artistic experimentation in music: An anthology, 333-47, 2014
Thinking-through-music: On knowledge production, materiality, embodiment, and subjectivity in artistic research
S Östersjö
Leuven University Press, 2017
Choose your own adventure music: On the emergence of voice in musical collaboration
D Gorton, S Östersjö
Contemporary Music Review 35 (6), 579-598, 2016
Negotiating the Musical Work. An empirical study on the inter-relation between composition, interpretation and performance
H Frisk, S Östersjö
EMS-06, Beijing. Terminology and Translation: Electroacoustic Music Studies, np, 2006
Musical expression from conception to reception
D Crispin, S Östersjö
Musicians in the making: Pathways to creative performance 1, 288, 2017
Decomposing a composition: On the multi-layered analysis of expressive music performance
E Coorevits, D Moelants, S Östersjö, D Gorton, M Leman
International Symposium on Computer Music Multidisciplinary Research, 167-189, 2015
Go To Hell: Towards a Gesture-Based Compositional Practice
S Östersjö
Contemporary Music Review 35 (4-5), 475-499, 2016
Negotiating the Musical Work: an empirical study
H Frisk, S Östersjö
ICMC, 2006
Traditions in transformation: the function of openness in the interaction between musicians
S Östersjö, NT Thủy
Re) Thinking Improvisation: Artistic Explorations and Conceptual Writing …, 2013
Austerity Measures I: performing the discursive voice
D Gorton, S Östersjö
Laws, C., Gorton, D., Nguyen, TT, Brooks, B., Östersjö, S. and Wells, JJ …, 2019
The politics of listening in intercultural artistic practice
S Östersjö, N Thanh Thy
Studies in Musical Theatre 11 (2), 131-145, 2017
Listening to the Other
S Östersjö
Leuven University Press, 2020
Repetition, resonance, and discernment
K Coessens, H Frisk, S Östersjö
Artistic experimentation in music: An anthology, 349-63, 2014
(re) thinking Improvisation: artistic explorations and conceptual writing
H Frisk, S Östersjö
Malmö Academy of Music, Lund University, 2013
The sounds of Hanoi and the after-image of the homeland
S Östersjö, TT Nguyen
Journal of Sonic Studies 12, 2016
‘Patterns of Ecological and Aesthetic Co-evolution’: Tree-guitars, River-violins and the Ecology of Listening
B Hogg, S Östersjö
Contemporary Music Review 34 (4), 335-349, 2015
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