| Introduction to Gaussian processes DJC MacKay NATO ASI series F computer and systems sciences 168, 133-166, 1998 | 1868* | 1998 |
| Fans: The mirror of consumption C Sandvoss Polity, 2005 | 1357 | 2005 |
| Fandom: Identities and communities in a mediated world J Gray, C Sandvoss, CL Harrington NYU Press, 2017 | 1026 | 2017 |
| A game of two halves: Football fandom, television and globalisation C Sandvoss Routledge, 2004 | 571 | 2004 |
| Introduction: Why study fans? J Gray, C Sandvoss, CL Harrington Fandom, 1-16, 2007 | 384 | 2007 |
| The death of the reader C Sandvoss Fandom: Identities and communities in a mediated world, 19-33, 2007 | 223 | 2007 |
| Fans C Sandvoss Cambridge: Polity, 2005 | 110 | 2005 |
| Toward an understanding of political enthusiasm as media fandom: Blogging, fan productivity and affect in American politics C Sandvoss Participations 10 (1), 252-296, 2013 | 91 | 2013 |
| One-dimensional fan: Toward an aesthetic of fan texts C Sandvoss American Behavioral Scientist 48 (7), 822-839, 2005 | 87 | 2005 |
| Introduction. Why still study fans? C Sandvoss, J Gray, CL Harrington Fandom, Second Edition, 1-26, 2017 | 79 | 2017 |
| From interpretive communities to interpretative fairs: ordinary fandom, textual selection and digital media C Sandvoss, L Kearns The Ashgate research companion to fan cultures, 91-106, 2016 | 67 | 2016 |
| On the couch with Europe: The Eurovision Song Contest, the European Broadcast Union and belonging on the old continent C Sandvoss Popular Communication 6 (3), 190-207, 2008 | 61 | 2008 |
| Quando estrutura e agência se encontram: os fãs eo poder C Sandvoss C-Legenda-Revista do Programa de Pós-graduação em Cinema e Audiovisual, 08-41, 2013 | 60 | 2013 |
| Fans online: Affective media consumption and production in the age of convergence C Sandvoss Online territories, 2011 | 59 | 2011 |
| Enthusiasm, trust and its erosion in mediated politics: On fans of Obama and the Liberal Democrats C Sandvoss European journal of communication 27 (1), 68-81, 2012 | 49 | 2012 |
| Taking the extreme case: understanding a fascist fan of Judge Dredd MJ Barker Trash Aesthetics: popular culture and its audience, 14-30, 1997 | 44 | 1997 |
| Reception C Sandvoss The handbook of media audiences, 2011 | 38 | 2011 |
| Technological evolution or revolution? Sport online live internet commentary as postmodern cultural form C Sandvoss Convergence 10 (3), 39-54, 2004 | 34 | 2004 |
| “I❤ Ibiza”: Music, Place and Belonging C Sandvoss Popular music fandom, 115-145, 2013 | 31 | 2013 |
| The Politics of Against C Sandvoss Anti-fandom: Dislike and hate in the digital age 24, 125, 2019 | 23 | 2019 |
