| PIERRE BONNARD BEYOND VISION. L WHELAN YALE University Press, 2022 | 1 | 2022 |
| Three women artists in postwar France: Anna-Eva Bergman, Germaine Richier, Maria Helena Vieira da Silva L Whelan French History 37 (3), 317-326, 2023 | | 2023 |
| Balthus: Under the Surface L Whelan Balthus: Under the Surface, 2023 | | 2023 |
| ‘Review of Out of Breath: Vulnerability of Air in Contemporary Art, by Caterina Albano’ L Whelan caa.reviews, 2022 | | 2022 |
| Pierre Bonnard’s Books: An Interpretation L Whelan Source: Notes in the History of Art 40 (4), 261-268, 2021 | | 2021 |
| Pierre Bonnard’s Books: A Catalogue with an Introduction L Whelan source: notes in the history of art 40 (3), 186-197, 2021 | | 2021 |
| Cézanne's Gravity by Carol Armstrong L Whelan Modernism/modernity 28 (1), 204-206, 2021 | | 2021 |
| Painting the present after impressionism: Pierre Bonnard and time's continuous duration L Whelan Time on a Human Scale: Experiencing the Present in Europe, 1860-1930, 2021 | | 2021 |
| New light on Pierre Bonnard's wife and model Marthe L Whelan BURLINGTON MAGAZINE 162 (1406), 412-419, 2020 | | 2020 |
| Pierre Bonnard: beyond visual perception L Whelan University of Oxford, 2017 | | 2017 |
| H-France Review Vol. 23 (June 2023), No. 102 L Whelan | | |
