| Music, national identity and the politics of location: Between the global and the local V Knights, I Biddle Routledge, 2016 | 248 | 2016 |
| Music, National Identity and the Politics of Location: Between the Global and the Local I Biddle, V Knights Hampshire, Burlington: Ashgate, 0 | 242* | |
| Sound, music, affect: Theorizing sonic experience I Biddle, M Thompson Bloomsbury Publishing USA, 2013 | 224* | 2013 |
| Sound, Music, Affect: Theorizing Sonic Experience I Biddle, M Thompson Bloomsbury Academic, 2013 | 224* | 2013 |
| Music Theory and Natural Order from the Renaissance to the Early Twentieth Century S Clark, A Rehding, I Biddle | 125* | 2006 |
| Introduction: Somewhere between the signifying and the sublime M Thompson, I Biddle Bloomsbury, 2013 | 72 | 2013 |
| Introduction national popular musics: betwixt and beyond the local and global I Biddle, V Knights Music, national identity and the politics of location, 1-16, 2016 | 63 | 2016 |
| Masculinity and Western musical practice K Gibson Routledge, 2017 | 54 | 2017 |
| Music, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud I Biddle Routledge, 2016 | 42 | 2016 |
| Introduction: oh boy! Making masculinity in popular music I Biddle, F Jarman-Ivens Oh boy! Masculinities and popular music, 1-20, 2007 | 42 | 2007 |
| “The Singsong of Undead Labor”: Gender Nostalgia and the Vocal Fantasy of Intimacy in the “New” Male Singer/Songwriter I Biddle Oh Boy!, 125-144, 2013 | 41 | 2013 |
| Masculinity in opera P Purvis Routledge, 2013 | 25 | 2013 |
| Cultural histories of noise, sound and listening in Europe, 1300-1918 K Gibson Routledge, 2016 | 24 | 2016 |
| Ian Biddle, eds. 2013 I Biddle, M Thompson Sound, Music, Affect: Theorizing Sonic Experience, 0 | 19* | |
| Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle I Biddle The Cultural Study of Music, 384-394, 2012 | 18 | 2012 |
| Music and identity politics I Biddle Routledge, 2017 | 17 | 2017 |
| Voicing Risk: Migration, Transgression and Relocation in Spanish/Moroccan Raï 1 P Nair Music, National Identity and the Politics of Location, 65-80, 2016 | 17 | 2016 |
| FWJ Schelling’s Philosophie der Kunst: An Emergent Semiology of Music’ I Biddle Music theory in the age of romanticism, 25-36, 1996 | 17 | 1996 |
| Vox electronica: nostalgia, irony and cyborgian vocalities in Kraftwerk’s Radioaktivität and Autobahn I Biddle twentieth-century music 1 (1), 81-100, 2004 | 16 | 2004 |
| Policing masculinity: Schumann, Berlioz and the gendering of the music-critical idiom I Biddle Journal of the Royal Musical Association 124 (2), 196-220, 1999 | 16 | 1999 |
Lisa ColtonUniversity of LiverpoolVerified email at liverpool.ac.uk
