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Ian Biddle
Ian Biddle
Dean of Postgraduate Studies, Newcastle University
Verified email at ncl.ac.uk - Homepage
Title
Cited by
Cited by
Year
Music, national identity and the politics of location: Between the global and the local
V Knights, I Biddle
Routledge, 2016
2402016
Music, National Identity and the Politics of Location: Between the Global and the Local
I Biddle, V Knights
Hampshire, Burlington: Ashgate, 0
233*
Sound, music, affect: Theorizing sonic experience
I Biddle, M Thompson
Bloomsbury Publishing USA, 2013
216*2013
Sound, Music, Affect: Theorizing Sonic Experience
I Biddle, M Thompson
Bloomsbury Academic, 2013
216*2013
Music Theory and Natural Order from the Renaissance to the Early Twentieth Century
S Clark, A Rehding, I Biddle
117*2006
Introduction: Somewhere between the signifying and the sublime
M Thompson, I Biddle
Bloomsbury, 2013
682013
Introduction national popular musics: betwixt and beyond the local and global
I Biddle, V Knights
Music, national identity and the politics of location, 1-16, 2016
662016
Masculinity and Western musical practice
K Gibson
Routledge, 2017
532017
Introduction: oh boy! Making masculinity in popular music
I Biddle, F Jarman-Ivens
Oh boy! Masculinities and popular music, 1-20, 2007
422007
Music, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud
I Biddle
Routledge, 2016
382016
“The Singsong of Undead Labor”: Gender Nostalgia and the Vocal Fantasy of Intimacy in the “New” Male Singer/Songwriter
I Biddle
Oh Boy!, 125-144, 2013
382013
Masculinity in opera
P Purvis
Routledge, 2013
262013
Cultural histories of noise, sound and listening in Europe, 1300-1918
K Gibson
Routledge, 2016
242016
Ian Biddle, eds. 2013
I Biddle, M Thompson
Sound, Music, Affect: Theorizing Sonic Experience, 0
19*
Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-SiŤcle
I Biddle
The Cultural Study of Music, 384-394, 2012
182012
Music and identity politics
I Biddle
Routledge, 2017
172017
Voicing Risk: Migration, Transgression and Relocation in Spanish/Moroccan RaÔ 1
P Nair
Music, National Identity and the Politics of Location, 65-80, 2016
172016
Policing masculinity: Schumann, Berlioz and the gendering of the music-critical idiom
I Biddle
Journal of the Royal Musical Association 124 (2), 196-220, 1999
171999
Voicing gender: Transgender performance and the national imaginary in the Spanish cinema of the democratic era
I Biddle, S Fouz-HernŠndez
Screening songs in Hispanic and Lusophone cinema, 30-50, 2018
162018
Vox electronica: nostalgia, irony and cyborgian vocalities in Kraftwerk’s Radioaktivitšt and Autobahn
I Biddle
twentieth-century music 1 (1), 81-100, 2004
162004
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Articles 1–20