Ian Biddle
Ian Biddle
Senior Lecturer (Associate Professor) Music and Cultural Theory, Newcastle University
Verified email at ncl.ac.uk - Homepage
Title
Cited by
Cited by
Year
Music, National Identity and the Politics of Location: Between the Global and the Local
I Biddle, V Knights
Hampshire, Burlington: Ashgate, 0
193*
Sound, music, affect: Theorizing sonic experience
I Biddle, M Thompson
Bloomsbury Publishing USA, 2013
154*2013
Sound, Music, Affect: Theorizing Sonic Experience
I Biddle, M Thompson
Bloomsbury Academic, 2013
154*2013
Music theory and natural order from the Renaissance to the early twentieth century
S Clark, A Rehding
Cambridge University Press, 2001
942001
Music theory in the age of Romanticism
I Bent
Cambridge University Press, 1996
781996
Introduction national popular musics: Betwixt and beyond the local and global
I Biddle, V Knights
Music, national identity and the politics of location, 1-16, 2016
552016
Introduction: Somewhere between the signifying and the sublime
M Thompson, I Biddle
Bloomsbury, 2013
452013
Masculinity and western musical practice
K Gibson
Routledge, 2017
422017
“The Singsong of Undead Labor”: Gender Nostalgia and the Vocal Fantasy of Intimacy in the “New” Male Singer/Songwriter
I Biddle
Oh Boy!, 133-152, 2013
35*2013
“The Singsong of Undead Labor”: Gender Nostalgia and the Vocal Fantasy of Intimacy in the “New” Male Singer/Songwriter
I Biddle
Oh Boy! Masculinities and Popular Music, 125-144, 2007
342007
Introduction: oh boy! Making masculinity in popular music
I Biddle, F Jarman-Ivens
Oh boy, 1-17, 2007
312007
Music, Masculinity and the Claims of History: The Austro-German Tradition from Hegel to Freud
I Biddle
Ashgate Publishing, Ltd., 2013
292013
Music, national identity and the politics of location: Between the global and the local
V Knights, I Biddle
Routledge, 2016
23*2016
Music, Melancholy and Masculinity in Early Modern England 1
K Gibson
Masculinity and western musical practice, 41-66, 2017
222017
Masculinity in opera
P Purvis
Routledge, 2013
192013
Of Mice and Dogs: Music, Gender, and Sexuality at the Long Fin-de-Siècle
I Biddle
The Cultural Study of Music, 406-416, 2012
182012
Rapping at the margins: Musical constructions of identities in contemporary France
B George
Music, National Identity and the Politics of Location, 93-114, 2016
172016
Policing masculinity: Schumann, Berlioz and the gendering of the music-critical idiom
I Biddle
Journal ojfhe R~ alnlirtirnlAssoriation 124, 0, 1999
171999
FWJ Schelling’s Philosophie der Kunst: An Emergent Semiology of Music’
I Biddle
Music theory in the age of romanticism, 25-36, 1996
161996
Vox Electronica: Nostalgia, Irony and Cyborgian Vocalities in Kraftwerk's Radioaktivität and Autobahn
I Biddle
twentieth-century music 1 (1), 81, 2004
132004
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Articles 1–20