| Studying popular music culture T Wall Studying Popular Music Culture, 1-332, 2013 | 272 | 2013 |
| Media studies: texts, production, context P Long Routledge, 2014 | 183 | 2014 |
| Ballroom, boogie, shimmy sham, shake: a social and popular dance reader J Malnig University of Illinois Press, 2009 | 115 | 2009 |
| Finding an alternative: Music programming in US college radio T Wall Radio journal: International studies in broadcast & audio media 5 (1), 35-54, 2007 | 73 | 2007 |
| The political economy of Internet music radio T Wall Radio Journal: International Studies in Broadcast & Audio Media 2 (1), 27-44, 2004 | 69 | 2004 |
| Out on the floor: the politics of dancing on the Northern Soul scene T Wall Popular Music 25 (3), 431-445, 2006 | 38 | 2006 |
| Experimenting with fandom, live music, and the Internet: Applying insights from music fan culture to new media production T Wall, A Dubber Journal of New Music Research 39 (2), 159-169, 2010 | 33 | 2010 |
| Specialist music, public service and the BBC in the Internet age T Wall, A Dubber Radio Journal: International Studies in Broadcast & Audio Media 7 (1), 27-47, 2009 | 29 | 2009 |
| Policy, pop, and the public: The discourse of regulation in British commercial radio T Wall Journal of radio studies 7 (1), 180-195, 2000 | 28 | 2000 |
| Rocking around the clock: Teenage dance fads from 1955 to 1965 T Wall University of Illinois Press, 2008 | 26 | 2008 |
| Constructing the histories of popular music: The Britannia series P Long, T Wall Popular Music and Television in Britain, 11-26, 2016 | 21 | 2016 |
| Jazz Britannia: mediating the story of British jazz on television T Wall, P Long Jazz Research Journal 3 (2), 145-170, 2010 | 18 | 2010 |
| Tony Palmer's All You Need Is Love: television's first pop history P Long, T Wall The Music Documentary, 25-41, 2013 | 16 | 2013 |
| Punk zines:‘Symbols of defiance’from the print to the digital age M Grimes, T Wall Fight back, 287-303, 2016 | 14 | 2016 |
| Music radio goes online T Wall Music and the broadcast experience: Performance, production, and audiiences …, 2016 | 13 | 2016 |
| Myths on/of the northern soul scene S Raine, T Wall Equinox Publishing, 2019 | 11 | 2019 |
| Changing Cultural Coordinates: The Transistor Radio and Space, Time, and Identity T Wall, N Webber | 11 | 2014 |
| Specialist music fans online: implications for public service broadcasting T Wall, A Dubber Birmingham City University, Arts and Humanities Research Council, 2009 | 11 | 2009 |
| Calling the tune: resolving the tension between profit and regulation in British commercial music radio T Wall Southern Review: Communication, Politics & Culture 39 (2), 77-95, 2006 | 11 | 2006 |
| Duke Ellington, radio remotes, and the mediation of big city nightlife, 1927 to 1933 T Wall Jazz Perspectives 6 (1-2), 197-222, 2012 | 9 | 2012 |
