| Video games and aesthetic contemplation P Atkinson, F Parsayi Games and culture 16 (5), 519-537, 2021 | 47 | 2021 |
| Movements within Movements: Following the Line in Animation and Comic Books P Atkinson Animation 4 (3), 265-281, 2009 | 38 | 2009 |
| The graphic novel as metafiction P Atkinson Studies in Comics 1 (1), 107-125, 2010 | 30 | 2010 |
| Seeing movement: Dancing bodies and the sensuality of place P Atkinson, M Duffy Emotion, Space and Society 30, 20-26, 2019 | 24 | 2019 |
| Henri Bergson and visual culture: A philosophy for a new aesthetic P Atkinson Bloomsbury Publishing, 2020 | 18 | 2020 |
| ‘Hey Alexa, what did I forget?’: Networked devices, Internet search and the delegation of human memory P Atkinson, R Barker Convergence 27 (1), 52-65, 2021 | 17 | 2021 |
| Graphic implosion: Politics, time, and value in Post-9/11 comics S Cooper, P Atkinson Literature after 9/11, 60-81, 2013 | 16 | 2013 |
| The time of heroes: Narrative, progress, and eternity in Miracleman P Atkinson The contemporary comic book superhero, 58-77, 2009 | 16 | 2009 |
| The visualisation of utopia in recent science fiction film P Atkinson Colloquy, 5-20, 2007 | 16 | 2007 |
| The amplification of affect: Tension, intensity and form in modern dance P Atkinson, M Duffy Modernism and affect, 94-110, 2015 | 13 | 2015 |
| Henri Bergson P Atkinson Deleuze’s Philosophical Lineage, 237-260, 2009 | 13 | 2009 |
| Unnatural movements: Modernism’s shaping of intimate relations in Stravinsky’s Le Sacre du Printemps M Duffy, P Atkinson Affirmations: of the modern 1 (2), 95-119, 2014 | 9 | 2014 |
| Why pause?: The fine line between reading and contemplation P Atkinson Studies in Comics 3 (1), 63-81, 2012 | 9 | 2012 |
| Untimely animations: Waltz with Bashir and the incorporation of historical difference P Atkinson, S Cooper Screening the Past 34, 257-276, 2012 | 9 | 2012 |
| Invisible rhythms: Tracking aesthetic perception in films and the visual arts P Atkinson Seeing into Screens–Eye Tracking and the Moving Image, 28-43, 2018 | 8 | 2018 |
| Turning Away. Embodied Movement in the Perception of Shot Duration P Atkinson Image & Narrative 15 (1), 89-101, 2014 | 8 | 2014 |
| The inclination of philosophy: the creative mind and the articulation of a Bergsonian method P Atkinson | 6 | 2013 |
| Cosmopolitanism on demand? Television and the narrowing of mediated social connection P Atkinson, R Strating Contemporary Publics: Shifting Boundaries in New Media, Technology and …, 2016 | 5 | 2016 |
| AI and the social construction of creativity DP Atkinson, DR Barker Convergence 29 (4), 1054-1069, 2023 | 4 | 2023 |
| Dynamic sensation: Bergson, futurism and the exteriorization of time in the plastic arts P Atkinson Art and Time, 57-74, 2020 | 4 | 2020 |
