| Dance and disability: The dancer, the viewer and the presumption of difference S Whatley Research in Dance Education 8 (1), 5-25, 2007 | 133 | 2007 |
| Dance, somatics and spiritualities: Contemporary sacred narratives A Williamson, G Batson, S Whatley, R Weber Intellect, 2014 | 64 | 2014 |
| Virtual reality and choreographic practice: The potential for new creative methods REK Cisneros, K Wood, S Whatley, M Buccoli, M Zanoni, A Sarti Body, Space and Technology 18 (1), 1-32, 2019 | 38 | 2019 |
| Taking Liberties: AIDS and Cultural Politics: Conference S Watney Serpent's Tail, 1989 | 35 | 1989 |
| Wholodance: Towards a methodology for selecting motion capture data across different dance learning practice A Camurri, K El Raheb, O Even-Zohar, Y Ioannidis, A Markatzi, JM Matos, ... Proceedings of the 3rd International Symposium on Movement and Computing, 1-2, 2016 | 34 | 2016 |
| The spectacle of difference: Dance and disability on screen S Whatley The International Journal of Screendance 1, 2010 | 34 | 2010 |
| WhoLoDancE: whole-body interaction learning for dance education A Rizzo, K El Raheb, S Whatley, REK Cisneros, M Zanoni, A Camurri, ... CEUR Workshop Proceedings, 41-50, 2018 | 28 | 2018 |
| The poetics of motion capture and visualisation techniques: The differences between watching real and virtual dancing bodies S Whatley Kinesthetic empathy in creative and cultural practices, 2011 | 28 | 2011 |
| Born digital; dance in the digital age S Whatley, R Varney International Journal of Performance Arts and Digital Media 5 (1), 51-63, 2009 | 27 | 2009 |
| WhoLoDancE: digital tools and the dance learning environment RE Cisneros, K Stamp, S Whatley, K Wood Dance, Professional Practice, and the Workplace, 88-108, 2020 | 25 | 2020 |
| Siobhan Davies RePlay:(Re) visiting the digital archive S Whatley International Journal of Performance Arts and Digital Media 9 (1), 83-98, 2013 | 21 | 2013 |
| A conceptual framework for creating and analyzing dance learning digital content K El Raheb, S Whatley, A Camurri Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018 | 20 | 2018 |
| Attending to Movement: somatic perspectives on living in this world S Whatley, NG Brown, K Alexander Triarchy Press, 2015 | 20 | 2015 |
| Dance identity, authenticity and issues of interpretation with specific reference to the choreography of Siobhan Davies S Whatley Dance Research 23 (2), 87-105, 2005 | 20 | 2005 |
| Enhancing creativity by training metacognitive skills in mental imagery J May, E Redding, S Whatley, K Łucznik, L Clements, R Weber, J Sikorski, ... Thinking Skills and creativity 38, 100739, 2020 | 18 | 2020 |
| Transmitting, transforming, and documenting dance in the digital environment: What dance does now that it didn’t do before S Whatley TDR/The Drama Review 61 (4), 78-95, 2017 | 18 | 2017 |
| Digital inscriptions and the dancing body: Expanding territories through and with the archive S Whatley Choreographic Practices 5 (1), 121-138, 2014 | 17 | 2014 |
| Archives of the dance (21): Siobhan Davies dance online S Whatley Dance Research 26 (2), 244-257, 2008 | 17 | 2008 |
| Let's Dance! But who owns it? C Waelde, S Whatley, M Pavis European Intellectual Property Review 36 (4), 217-228, 2014 | 16 | 2014 |
| Motion capturing emotions K Wood, RE Cisneros, S Whatley Open Cultural Studies 1 (1), 504-513, 2017 | 15 | 2017 |
