Mitchell Whitelaw
Mitchell Whitelaw
Associate Professor in Design, Australian National University
Verified email at - Homepage
TitleCited byYear
Metacreation: art and artificial life
M Whitelaw
Mit Press, 2004
Generous Interfaces for Digital Cultural Collections
M Whitelaw
Digital Humanities Quarterly 9 (1), 2015
Ten questions concerning generative computer art
J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw
Leonardo 47 (2), 135-141, 2014
Art against information: Case studies in data practice
M Whitelaw
The Fibreculture Journal 11, 2008
Digital Learning Communities (DLC): Investigating the application of social software to support networked learning
R Fitzgerald, S Barass, A Bruns, J Campbell, S Hinton, A Miles, ...
EdMedia+ Innovate Learning, 2805-2808, 2007
Playing games with reality: Only fish shall visit and interactive documentary
M Whitelaw
Assaig per al catŕleg del documental Halfeti: Only fish shall visit, de …, 2002
A framework for understanding generative art
A Dorin, J McCabe, J McCormack, G Monro, M Whitelaw
Digital Creativity 23 (3-4), 239-259, 2012
Listening to the mind listening: An analysis of sonification reviews, designs and Correspondences
S Barrass, M Whitelaw, F Bailes
Leonardo Music Journal, 13-19, 2006
System stories and model worlds: A critical approach to generative art
M Whitelaw
Readme 100, 135-154, 2005
Synesthesia and cross-modality in contemporary audiovisuals
M Whitelaw
The Senses and Society 3 (3), 259-276, 2008
Breeding aesthetic objects: Art and artificial evolution
M Whitelaw
Creative evolutionary systems, 129-III, 2002
Towards generous interfaces for archival collections
M Whitelaw
Comma 2012 (2), 123-132, 2012
Exploring the digital commons: an approach to the visualisation of large heritage datasets.
S Hinton, M Whitelaw
EVA, 2010
How we draw texts: a review of approaches to text visualization and exploration
J Nualart, M Pérez-Montoro Gutiérrez, M Whitelan
El Profesional de la Información, 2014, vol. 23, num. 3, p. 221-235, 2014
Sound particles and microsonic materialism
M Whitelaw
Contemporary Music Review 22 (4), 93-101, 2003
Visualising archival collections: The visible archive project
M Whitelaw
Archives and Manuscripts 37 (2), 22, 2009
The mirage of real-time algorithmic synaesthesia: Some compositional mechanisms and research agendas in computer music and sonification
RT Dean, M Whitelaw, H Smith, D Worrall
Contemporary Music Review 25 (4), 311-326, 2006
Strange ontologies in digital culture
M Whitelaw, M Guglielmetti, T Innocent
Computers in Entertainment (CIE) 7 (1), 4, 2009
The Abstract Organism: Towards a Prehistory for A-Life Art
M Whitelaw
Leonardo 34 (4), 345-348, 2001
Tom Ray's Hammer: Emergence and Excess in A-Life Art
M Whitelaw
Leonardo, 377-381, 1998
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