| Actors and emotion in performance ET Hetzler Studies in Theatre and Performance 28 (1), 59-78, 2007 | 21 | 2007 |
| Emotion memory:“A dangerous reputation” E Hetzler Stanislavski Studies 8 (1), 87-96, 2020 | 10 | 2020 |
| Actor Self vs. Character Self An Empirical Exploration E Hetzler Journal for Artistic Research 2012 (2), 2012 | 7 | 2012 |
| The actor's awareness: an empirical examination from the survey of the actor's experience ET Hetzler Cambridge Scholars Publishing, 2010 | 2 | 2010 |
| The actor's experience: a survey and interviews of actors examining the experience of performing ET Hetzler University of Exeter, 2007 | 2 | 2007 |
| Using the Alba Method of emotion in character development E Hetzler Inspire Conference, Queensgate, United Kingdom. Retrieved from https://www …, 2016 | 1 | 2016 |
| In plain sight: hidden Stanislavski: part 2 E Hetzler Stanislavski Studies 10 (2), 151-160, 2022 | | 2022 |
| In plain sight: hidden Stanislavski-part one E Hetzler Stanislavski Studies 10 (1), 21-31, 2022 | | 2022 |
| Actor awareness in performance: an examination of actor descriptions from the survey of the actor's experience and William Archer's masks or faces E Hetzler Consciousness, Literature and the Arts, 2012 | | 2012 |
| Book review: The Politics of American Actor Training, Ellen Margolis and Lissa Tyler Renaud (eds)(2010) E Hetzler Studies in Theatre and Performance 31 (3), 351-353, 2011 | | 2011 |
| Inspire Conference Paper: Using the Alba Method of Emotion in Character Development E Hetzler | | |
