Jude Brereton
Jude Brereton
Dept of Electronic Engineering, University of York
Verified email at york.ac.uk
TitleCited byYear
Real-time feedback in the singing studio: an innovatory action-research project using new voice technology
GF Welch, DM Howard, E Himonides, J Brereton
Music Education Research 7 (2), 225-249, 2005
1002005
WinSingad: A real-time display for the singing studio
DM Howard, GF Welch, J Brereton, E Himonides, M DeCosta, J Williams, ...
Logopedics Phoniatrics Vocology 29 (3), 135-144, 2004
632004
Range of tuning for tones with and without vibrato
RM Van Besouw, JS Brereton, DM Howard
Music Perception: An Interdisciplinary Journal 26 (2), 145-155, 2008
482008
Are real-time displays of benefit in the singing studio? An exploratory study
DM Howard, J Brereton, GF Welch, E Himonides, M DeCosta, J Williams, ...
Journal of Voice 21 (1), 20-34, 2007
412007
Real virtuality: a step change from virtual reality
A Chalmers, D Howard, C Moir
Proceedings of the 25th Spring Conference on Computer Graphics, 9-16, 2009
332009
VOXed: Technology as a meaningful teaching aid in the singing studio
GF Welch, E Himonides, DM Howard, J Brereton
Proceedings of the conference on interdisciplinary musicology (cim04), 2004
302004
Four-part choral synthesis system for investigating intonation in a cappella choral singing
DM Howard, H Daffern, J Brereton
Logopedics Phoniatrics Vocology 38 (3), 135-142, 2013
132013
Acoustic heritage and audio creativity: The creative application of sound in the representation, understanding and experience of past environments
D Murphy, S Shelley, A Foteinou, J Brereton, H Daffern
Council for British Archaeology, 2017
112017
A loudspeaker-based room acoustics simulation for real-time musical performance
J Brereton, D Murphy, D Howard
Audio Engineering Society Conference: UK 25th Conference: Spatial Audio in …, 2012
112012
Distinguishing characteristics of vocal techniques in the specialist performance of early music
H Daffern
University of York, 2008
102008
Body, Sound and Space in Music and Beyond: Multimodal Explorations
C Wöllner
Taylor & Francis, 2017
82017
The impact of vibrato usage on the perception of pitch in early music compared to grand opera
H Daffern, J Brereton, D Howard
52012
Quantitative voice quality analyses of a soprano singing early music in three different performance styles
DM Howard, H Daffern, J Brereton
Biomedical Signal Processing and Control 7 (1), 58-64, 2012
52012
Towards a novel real-time visual display for singing training
DM Howard, GF Welch, J Brereton, E Himonides
Third International Workshop on Models and Analysis of Vocal Emissions for …, 2003
52003
Singing in Space (s): Singing performance in real and virtual acoustic environments-Singers' evaluation, performance analysis and listeners' perception
J Brereton
University of York, 2014
42014
The Virtual Singing Studio: A loudspeaker-based room acoustics simulation for real-time musical performance
JS Brereton, DT Murphy, DM Howard
Proceedings of the Baltic Nordic Acoustics Meeting (BNAM2012), 18-20, 2012
42012
An e-learning tool for reflective practice and enhancing employability among engineering students
B Baruah, T Ward, J Brereton
the 27th European Association for Education in Electrical and Information …, 2017
32017
Design of an interactive virtual reality system for ensemble singing
G Kearney, H Daffern, L Thresh, H Omodudu, C Armstrong, J Brereton
Interactive Audio Systems Symposium, York, UK, 2016
32016
The Spatialised Sonification of Drug-Enzyme Interactions
R McIlraith, P Walton, J Brereton
Georgia Institute of Technology, 2015
32015
Evaluating the Auralization of Performance Spaces and Its Effect on Singing Performance
J Brereton, D Murphy, DM Howard
Audio Engineering Society Convention 130, 2011
32011
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