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Jude Brereton
Jude Brereton
Theatre, Film, TV and Interactive Media, University of York
Verified email at york.ac.uk
Title
Cited by
Cited by
Year
Real-time feedback in the singing studio: an innovatory action-research project using new voice technology
GF Welch, DM Howard, E Himonides, J Brereton
Music education research 7 (2), 225-249, 2005
1562005
Singing together, yet apart: the experience of UK choir members and facilitators during the Covid-19 pandemic
H Daffern, K Balmer, J Brereton
Frontiers in psychology 12, 624474, 2021
932021
WinSingad: A real-time display for the singing studio
DM Howard, GF Welch, J Brereton, E Himonides, M DeCosta, J Williams, ...
Logopedics Phoniatrics Vocology 29 (3), 135-144, 2004
732004
Range of tuning for tones with and without vibrato
RMV Besouw, JS Brereton, DM Howard
Music Perception 26 (2), 145-155, 2008
572008
Are real-time displays of benefit in the singing studio? An exploratory study
DM Howard, J Brereton, GF Welch, E Himonides, M DeCosta, J Williams, ...
Journal of Voice 21 (1), 20-34, 2007
552007
Real virtuality: A step change from virtual reality
A Chalmers, D Howard, C Moir
Proceedings of the 25th Spring Conference on Computer Graphics, 9-16, 2009
532009
Acoustic heritage and audio creativity: the creative application of sound in the representation, understanding and experience of past environments
D Murphy, S Shelley, A Foteinou, J Brereton, H Daffern
Council for British Archaeology, 2017
382017
VOXed: Technology as a meaningful teaching aid in the singing studio
GF Welch, E Himonides, DM Howard, J Brereton
Proceedings of the conference on interdisciplinary musicology (cim04), 2004
382004
Body, sound and space in music and beyond: multimodal explorations
C Wöllner
Taylor & Francis, 2017
342017
Four-part choral synthesis system for investigating intonation in a cappella choral singing
DM Howard, H Daffern, J Brereton
Logopedics Phoniatrics Vocology 38 (3), 135-142, 2013
252013
The impact of gender on conference authorship in audio engineering: Analysis using a new data collection method
K Young, M Lovedee-Turner, J Brereton, H Daffern
IEEE Transactions on Education 61 (4), 328-335, 2018
202018
Gender in music production
R Hepworth-Sawyer, J Hodgson, L King, M Marrington
CRC Press, 2020
152020
Quantitative voice quality analyses of a soprano singing early music in three different performance styles
DM Howard, H Daffern, J Brereton
Biomedical Signal Processing and Control 7 (1), 58-64, 2012
142012
An e-learning tool for reflective practice and enhancing employability among engineering students
B Baruah, T Ward, J Brereton
2017 27th EAEEIE Annual Conference (EAEEIE), 1-6, 2017
122017
A loudspeaker-based room acoustics simulation for real-time musical performance
J Brereton, D Murphy, D Howard
Audio Engineering Society Conference: UK 25th Conference: Spatial Audio in …, 2012
122012
Design of an interactive virtual reality system for ensemble singing
G Kearney, H Daffern, L Thresh, H Omodudu, C Armstrong, J Brereton
Interactive Audio Systems Symposium, York, UK, 2016
102016
Sonicules-Designing drugs with sound: approaches to sound design for film, audiovisual performance and interactive sonification
R Rudnicki, J Brereton
DOCUMENTARY FILM AND THE LISTENING EXPERIENCE, 69, 2018
9*2018
Evaluating the Auralization of Performance Spaces and its Effect on Singing Performance
J Brereton, D Murphy, DM Howard
Audio Engineering Society Convention 130, 2011
92011
Singing in Space (s): Singing performance in real and virtual acoustic environments-Singers' evaluation, performance analysis and listeners' perception
J Brereton
University of York, 2014
72014
The impact of vibrato usage on the perception of pitch in early music compared to grand opera
H Daffern, J Brereton, D Howard
Acoustics 2012, 2012
72012
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