| The Making of Faulty Optic's Dead Wedding: Inertia, Chaos and Adaptation T Moss in 'Devising in Process' edited by Alex Mermikides and Jackie Smart,, 74 - 92, 2010 | 5 | 2010 |
| How Crimp's Open Texts help keep live performance a 'Cool' medium (McLuhan) for audiences. T Moss FIRT/IFTR International Conference Fictional/Real in Contemporary Theatre, 2005 | 2 | 2005 |
| 'Beware the Danger of Merging': Conceptual Blending and Cognitive Dissonance in the work of IOU Theatre DK Middleton, T Moss Journal for Artistic Research, 2015 | 1 | 2015 |
| Uncanny Actor Training–working with entfremdung (estrangement; depersonalisation; derealisation.) T Moss | | 2016 |
| Alpha and beta: how to be both T Moss | | 2015 |
| Kelter@ Picturedrome Holmfirth [Performance with Peter Hook and The Light (ex-Joy Division and New Order)] T Moss, M Thresher, E Morris, N Johnson Picturedrome, Holmfirth, 2013 | | 2013 |
| Falling Tim Moss, Mike Thresher, Jimmy Mills, Nick Johnson Song recorded by Kelter, 2013 | | 2013 |
| Kelter@ Sound Control, Manchester [Performance with Altered Sky and White Clouds and Gunfire] T Moss, M Thresher, E Morris, N Johnson Sound Control, Manchester, 2012 | | 2012 |
| The Making of Faulty Optic's Dead Wedding: Chaotic Darwinism (and the continuous wildcard creative process) T Moss Palgrave MacMillan, 2010 | | 2010 |
| 'Writing the Body, Dancing The Mind’ practical workshop exploring creative practice. Britton, Elliott, Middleton, Moss Four staff members from the Drama Division delivered a ground-breaking week …, 2008 | | 2008 |
| Cowboy Manifesto: A Writers’ Guide to the Wild West DK Middleton, T Moss Creative Practice Conference - a performance lecture/provocation/meditation, 2007 | | 2007 |
| Uncanny Actor Training–working with entfremdung (estrangement; depersonalisation; derealisation.) Original Citation Moss, Tim (2016) Uncanny Actor Training–working with … T Moss | | |
