Aaron Cassidy
Aaron Cassidy
Professor of Composition, University of Huddersfield
Verified email at hud.ac.uk - Homepage
Title
Cited by
Cited by
Year
Noise and the Voice: exploring the thresholds of vocal transgression
A Cassidy
Noise in and as Music, 33-54, 2013
36*2013
Noise in and as Music
A Cassidy, A Einbond
University of Huddersfield Press, 2013
352013
Determinate action/indeterminate sound: Tablature and chance in several recent works
A Cassidy
Facets of the Second Modernity, 17-32, 2008
162008
Performative physicality and choreography as morphological determinants
A Cassidy
Musical Morphology (New Music and Aesthetics in the 21st Century, Volume 2) 2, 2004
122004
Constraint schemata, multi-axis movement modeling, and unified, multi-parametric notation for strings and voices
A Cassidy
Search: Journal for new music and culture 10, 2013
112013
Interconnectivity and abstraction: metallic dust as a testing ground for monopnonic and structural polyphonies
A Cassidy
Polyphony & Complexity (New Music and Aesthetics in the 21st Century, Volume …, 2004
92004
The String Quartet as laboratory and playground for experimentation and tradition (or, opening out/closing in)
A Cassidy
Contemporary Music Review 32 (4), 305-323, 2013
82013
I am an experimental composer
A Cassidy
http://aaroncassidy.com/experimental-composer/, 2012
62012
The Crutch of Memory
A Cassidy
Neos Music CD — ELISION Ensemble, 2012
62012
The Crutch of Memory
A Cassidy
Augenmusik (ASCAP), 2004
6*2004
Second String Quartet
A Cassidy
Augenmusik (ASCAP), 2010
42010
What then renders these forces visible is a strange smile (or, First Study for Figures at the Base of a Crucifixion)
A Cassidy
Augenmusik (ASCAP), 2008
32008
The Pleats of Matter
A Cassidy
Augenmusik (ASCAP), 2007
32007
The Pleats of Matter/The Matter of Pleats
A Cassidy, D Castro
22015
Gestural modeling and compositional constraints in Being itself a catastrophe, the diagram must not create a catastrophe (or, Third Study for Figures at the Base of a Crucifixion)
A Cassidy
Sonic Ideas (Ideas Sonicas) 4 (1), 2012
22012
Imagining a Non-Geometrical Rhythm
A Cassidy
https://www.youtube.com/watch?v=Va62zpUMIoE, 2015
12015
A painter of figures in rooms
A Cassidy
Augenmusik, 2012
12012
asphyxia
A Cassidy
Augenmusik (ASCAP), 2008
12008
Because they mark the zone where the force is in the process of striking (or Second Study for Figures at the Base of a Crucifixion)
A Cassidy
Augenmusik (ASCAP), 2008
12008
I, purples, spat blood, laugh of beautiful lips
A Cassidy
Augenmusik (ASCAP), 2006
12006
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