| "Enheduanna–A Manifesto of Falling" Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI … P Zioga, F Pollick, M Ma, P Chapman, K Stefanov Frontiers in Neuroscience 12, 2018 | 30 | 2018 |
| Enheduanna – A Manifesto of Falling: first demonstration of a live brain-computer cinema performance with multi-brain BCI interaction for one performer and two audience members P Zioga, P Chapman, M Ma, F Pollick Digital Creativity, 1-20, 2016 | 12 | 2016 |
| A Wireless Future: performance art, interaction and the brain-computer interfaces P Zioga, P Chapman, M Ma, F Pollick ICLI 2014 - INTER-FACE: International Conference on Live Interfaces, 19-23 …, 2014 | 10 | 2014 |
| Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas P Zioga, MA Vélez-Serna The Formation of Film Audiences: Conference Proceedings, 2022 | 6 | 2022 |
| A Hypothesis of Brain-to-Brain Coupling in Interactive New Media Art and Games Using Brain-Computer Interfaces P Zioga, P Chapman, M Ma, F Pollick Serious Games First Joint International Conference, JCSG 2015, Huddersfield …, 2015 | 5 | 2015 |
| Live Brain-Computer Cinema Performance P Zioga Leonardo 51 (5), 531, 2018 | 3 | 2018 |
| Live Brain-Computer Cinema Performance P Zioga Glasgow School of Art, 2017 | 3 | 2017 |
| New research shows how brain-computer interaction is changing cinema P Zioga https://theconversation.com/new-research-shows-how-brain-computer …, 2018 | 2 | 2018 |
| Paintings Alive: An Interactive Film for Young Museum Visitors V Wetzel, P Zioga Interactive Film & Media Journal 2 (4), 95-105, 2022 | 1* | 2022 |
| Whereabouts you are E Biró, J Butler, M Calvo, IB Coelho, A Keehan, FJ MacLellan, CM Weir, ... http://eprints.hud.ac.uk/30876, 2016 | 1 | 2016 |
| ‘This Place Has Its Own Air’: A Proof of Concept for Urban Air Quality Data Visceralisation P Zioga, CM Weir DCAC 2023 5th International Conference on Digital Culture & AudioVisual …, 2023 | | 2023 |
| Paintings Alive: Interactive Films and Video Installations for Young Museum Visitors V Wetzel, P Zioga Interactive Film and Media Journal 2 (2), 2022 | | 2022 |
| Scriptwriting for Interactive Crime Films: The Case of Scapegoat A Clarke, P Zioga Interactive Film and Media 2 (1), 106-121, 2022 | | 2022 |
| Scriptwriting for Interactive Crime Films: The Case of Scapegoat A Clarke, Zioga, Polina Interactive Film and Media Conference 2021: New Narratives, Racialization …, 2021 | | 2021 |
| Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas P Zioga, MA Vélez-Serna Audiences beyond the multiplex: understanding the value of a diverse film …, 2021 | | 2021 |
| Interactive Film History: The Challenge of Classification M BENNETT, P ZIOGA | | 2020 |
| From Neurocinematics to Live Brain-Computer Cinema: Audience Research, Co-Authorship and Film Form P Zioga ECREA Film Studies Section conference ‘Research Methods in Film Studies …, 2019 | | 2019 |
| Will mind-controlled films change cinema? Chips with Everything podcast. P ZIOGA, D Schwartz The Guardian Newspapers, 2018 | | 2018 |
| 'Enheduanna - A Manifesto of Falling' Live Brain-Computer Cinema Performance P Zioga, A Katsinavaki http://www.polina-zioga.com/performances/2015-enheduanna---a-manifesto-of …, 2015 | | 2015 |
| Catherine Street’s Muscle Theory: an assemblage of organicity P Zioga, I Bento Coelho http://thisiscentralstation.com/featured-blog/catherine-street%E2%80%99s …, 2015 | | 2015 |
Frank PollickProfessor of Psychology, University of GlasgowVerified email at glasgow.ac.uk
