| Framing the Difference (s): Analysing the Representation of the Body of the Athlete in the 2012 Olympics' and Paralympics' Official Programmes EA Claydon Reframing Disability?, 79-93, 2014 | 13 | 2014 |
| Dis/Enablement?: An Analysis of the Representation of Disability on British Terrestrial Television Pre-and Post-Paralympics EA Claydon, B Gunter, P Reilly Reframing Disability?, 37-65, 2014 | 12 | 2014 |
| Masculinity and deviance in British cinema of the 1970s: Sex, drugs and rock ‘n’roll in The wicker man, Tommy and The Rocky Horror Picture Show EA Claydon University of Leicester, 2010 | 9 | 2010 |
| The Projected Man: The B–Movie and the Monstrous–Masculine EA Claydon Extrapolation 48 (3), 482-492, 2007 | 8 | 2007 |
| The representation of masculinity in British cinema of the 1960s: Lawrence of Arabia, The loneliness of the long distance runner, and The Hill EA Claydon (No Title), 2005 | 8 | 2005 |
| Cityscope: the cinema and the city A Claydon Global Built Environment Review 5, 57-68, 2005 | 8 | 2005 |
| Masculinity, fantasy and Bhaji on the Beach EA Claydon Picturing South Asian Culture in English: Textual and Visual Representations …, 2003 | 8 | 2003 |
| National Identity, the GPO Film Unit and Their Music EA Claydon University of Leicester, 2011 | 7 | 2011 |
| 'Overcoming'the'Battlefield of the Mind': A Psycho-linguistic Examination of the Discourse of Digital-Televangelists Self-Help Texts E Claydon, J Whitehouse-Hart University of Leicester, 2018 | 6 | 2018 |
| Wanting to believe: CGI animation and the dilemmas of verisimilitude A Claydon Conference proceedings of the Cinema and technology conference, 2005 | 5 | 2005 |
| Representing the Mind: The Psyche on Film (Memento and Donnie Darko) EA Claydon University of Leicester, 2010 | 2 | 2010 |
| British South Asian Cinema and Identity II:‘When did Mr Collins become the ‘Ugly American’? Representing America in the films of Gurinder Chadha’ EA Claydon University of Leicester, 2009 | 2 | 2009 |
| Disability and Identity in Film: Finding the Voices of the Disabled in Cinema EA Claydon University of Leicester, 2009 | 1 | 2009 |
| British South Asian Cinema and Identity I ‘Nostalgia in the Post-National: Contemporary British Cinema and the South-Asian Diaspora’ EA Claydon University of Leicester, 2008 | 1 | 2008 |
| Mindworks: Getting inside heads in fiction film EA Claydon University of Leicester, 2007 | 1 | 2007 |
| Nigel Mather, Tears of Laughter: Comedy-Drama in 1990s British Cinema EA Claydon Journal of British Cinema and Television 4 (1), 186-188, 2007 | 1 | 2007 |
| Bonded to the series: Musical style, performance and the 007 theme song EA Claydon The Soundtrack 7 (2), 105-118, 2014 | | 2014 |
| Julia Knight and Peter Thomas, Reaching Audiences: Distribution and Promotion of Alternative Moving Image (Bristol: Intellect Books, 2011), pp. 208, ISBN: 978 1 … EA Claydon Journal of British Cinema and Television 10 (3), 677-679, 2013 | | 2013 |
| Cultural Cross-Over: Multiculturalism in British Film EA Claydon University of Leicester, 2012 | | 2012 |
| Film Music, Musicology and Semiotics: Analysing The Draughtsman's Contract EA Claydon Journal of British Cinema and Television 8 (1), 62-80, 2011 | | 2011 |
