| Symbolic and cued immersion: Paratextual framing strategies on the Doctor Who Experience Walking Tour RP Garner Popular Communication 14 (2), 86-98, 2016 | 27 | 2016 |
| Insecure positions, heteronomous autonomy and tourism-cultural capital: A Bourdieusian reading of tour guides on BBC Worldwide’s Doctor Who Experience … R Garner Tourist Studies 17 (4), 426-442, 2017 | 19 | 2017 |
| Not my lifeblood: autoethnography, affective fluctuations and popular music antifandom R Garner A Companion to Media Fandom and Fan Studies, 91-106, 2018 | 17 | 2018 |
| Affective textualities, generalizations and focalizations: Fan reactions to Twin Peaks’s 2014 paratextual return RP Garner Journal of Fandom Studies 6 (1), 63-80, 2018 | 14 | 2018 |
| " The Series That Changed Television"?" Twin Peaks"," Classic" Status, and Temporal Capital RP Garner Cinema Journal 55 (3), 137-142, 2016 | 13 | 2016 |
| “It Is Happening Again”: Paratextuality,‘Quality’and Nostalgia in Twin Peaks’s Dispersed Anniversary R Garner Series-International Journal of TV Serial Narratives 2 (2), 41-54, 2016 | 11 | 2016 |
| Transmedia Tourism Editorial R Garner JOMECJournal 14, 1-10, 2019 | 9* | 2019 |
| Remembering Sarah Jane: Intradiegetic allusions, embodied presence/absence and nostalgia R Garner IB Tauris, 2013 | 8 | 2013 |
| Finding Nemo’s Spaces: Defining and Exploring Transmedia Tourism R Garner JOMECJournal 14, 11-32, 2019 | 7 | 2019 |
| Brand reconciliation? A case study of ITV's 2013 rebrand R Garner Critical studies in television 10 (1), 3-23, 2015 | 6 | 2015 |
| Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who, Torchwood and The Sarah Jane Adventures M Beattie, RP Garner, U McCormack Cambridge Scholars Publishing, 2010 | 5 | 2010 |
| Acafan identity, communities of practice, and vocational poaching R Garner Transformative Works and Cultures 35, 2021 | 3 | 2021 |
| The Mandalorian Variation R Garner Disney's Star Wars: Forces of production, promotion, and reception, 109, 2019 | 3 | 2019 |
| Crime drama and channel branding: ITV and Broadchurch RP Garner Contemporary British Television Crime Drama, 149-163, 2016 | 3 | 2016 |
| Celebrating and critiquing “past” and “present”? The intersection between nostalgia and public service discourses in BBC1’s Ashes to Ashes R Garner Visual Communication 4, 405, 2014 | 3 | 2014 |
| “DON’T YOU FORGET ABOUT ME”: INTERTEXTUALITY AND GENERIC ANCHORING RP GARNER Impossible Worlds, Impossible Things: Cultural Perspectives on Doctor Who …, 2010 | 3 | 2010 |
| Mimetic tangible nostalgia and spatial cosplay: replica merchandise and place in fandom's material cultures R Garner SUNY Press, 2021 | 2 | 2021 |
| Roundtable: Transcultural fan studies in practice: a conversation L Morimoto, P Booth, R Garner, MES Kohn, B Jones, EJ Nielsen, LE Stein, ... Transformative Works and Cultures 35, 2021 | 2 | 2021 |
| Nostalgia and post-2005 British time travel dramas: A semiotic analysis of a television genre cycle R Garner Cardiff University, 2013 | 2 | 2013 |
| Jurassic World: Fallen Kingdom by JA Bayona RP Garner Science Fiction Film and Television 13 (3), 449-454, 2020 | 1 | 2020 |
