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| Kraftwerk: Music non-stop S Albiez, D Pattie Bloomsbury Publishing USA, 2010 | 41 | 2010 |
| Print the truth, not the legend The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976 S Albiez Performance and popular music, 92-106, 2017 | 24 | 2017 |
| Brian Eno: oblique music S Albiez, D Pattie Bloomsbury Publishing USA, 2016 | 21 | 2016 |
| Autobahn and Heimatklänge: 1 Soundtracking the FRG S Albiez, KT Lindvig Kraftwerk: Music non-stop 15, 2010 | 18 | 2010 |
| Europe Non-Stop: West Germany, Britain and the Rise of Synthpop, 1975–81 S Albiez Kraftwerk: Music Non-Stop 139, 2010 | 13 | 2010 |
| The day the music died laughing Madonna and Country S Albiez Madonna's Drowned Worlds, 120-137, 2017 | 10 | 2017 |
| Sounds of future past: from Neu! to Numan S Albiez na, 2003 | 10 | 2003 |
| Before and after Eno: Situating ‘The Recording Studio as Compositional Tool’ S Albiez, R Dockwray Brian Eno: oblique music, 139-73, 2016 | 8 | 2016 |
| Strands of the future: France and the birth of electronica S Albiez Volume!. La revue des musiques populaires 2 (2), 99-114, 2003 | 6 | 2003 |
| Relic M James, S Albiez | 4 | 2020 |
| Brian Eno: A problem of organization D Pattie, S Albiez Brian Eno: Oblique Music. London: Bloomsbury, 1-8, 2016 | 4 | 2016 |
| The Velvet Underground: What Goes on S Albiez, D Pattie Bloomsbury Publishing USA, 2022 | 1 | 2022 |
| Sounds of future past: the poetics of electronica S Albiez Bath Spa University, 2013 | 1 | 2013 |
| Punk after'Punk'in the UK: 1978-1984 S Albiez Scribd, 2011 | 1 | 2011 |
| The late musical voice: John Cale and Lou Reed in the twenty-first century S Albiez The Velvet Underground: What Goes On, 253, 2022 | | 2022 |
| Unfrozen borderlines: Nico, John Cale and Brian Eno at the Berlin Nationalgalerie S Albiez, T Kaul The Velvet Underground: What Goes On, 173, 2022 | | 2022 |
| The Velvet Underground D Pattie, S Albiez Bloomsbury Publishing, 2022 | | 2022 |
| December Won't Be Magic Again M James, S Albiez | | 2020 |
