| Film distribution in the digital age: Pirates and professionals V Crisp Springer, 2015 | 120 | 2015 |
| Besides the Screen: moving images through distribution, promotion and curation V Crisp, GM Gonring, RC Jasper Springer, 2015 | 23 | 2015 |
| Of proprietors and poachers: Fandom as negotiated brand ownership V Crisp, J Hickman, S Janes, R McCulloch Participations 10 (1), 319-328, 2013 | 20 | 2013 |
| 'Watch like a grown up... Enjoy like a child': Exhibition, authenticity, and film audiences at the Prince Charles Cinema R McCulloch, V Crisp Participations: journal of audience & reception studies 13 (1), 188-217, 2016 | 14 | 2016 |
| ‘BLOODY PIRATES!!!* shakes fist*’: Reimagining East Asian film distribution and reception through online filesharing networks V Crisp Journal of Japanese and Korean cinema 3 (1), 65-72, 2012 | 11 | 2012 |
| To name a thief: constructing the deviant pirate V Crisp Piracy: Leakages from Modernity, 39-54, 2014 | 9 | 2014 |
| Release groups & the scene: Re-intermediation and competitive gatekeepers online V Crisp Cinéma & Cie. Film and Media Studies Journal 17 (29), 2017 | 6 | 2017 |
| Pirates and Professionals: Film Distribution in the Digital Age V Crisp London: Palgrave, 2015 | 6 | 2015 |
| Film Distribution in the Age of the Internet: East Asian Cinema in the UK V Crisp Goldsmiths, University of London, 2012 | 6 | 2012 |
| Access and power: Film distribution, re-intermediation and piracy V Crisp The Routledge Companion to World Cinema, 445-454, 2017 | 5 | 2017 |
| Film Distribution in the Digital Age: Pirates and Practitioners V Crisp New York: Palgrave Macmillan 10, 9781137406613, 2015 | 5 | 2015 |
| Introduction: In the Grooves of the Cinematographic Circuit GM Gonring, V Crisp Besides the Screen: Moving Images through Distribution, Promotion and …, 2015 | 5 | 2015 |
| The piratical is political V Crisp Soundings: A journal of politics and culture 55 (1), 71-80, 2013 | 5 | 2013 |
| Disingenuous Intermediaries V Crisp Digital media distribution: Portals, platforms, pipelines, 87, 2021 | 3 | 2021 |
| Practices of Projection: Histories and Technologies VJ Crisp, GMMP Gonring Oxford Univerity Press; Oxford, 2020 | 3 | 2020 |
| Intersections: Pirates Meet Professionals V Crisp, V Crisp Film Distribution in the Digital Age: Pirates and Professionals, 154-179, 2015 | 3 | 2015 |
| Practices of Projection: Histories and Technologies G Menotti, V Crisp Oxford University Press, USA, 2020 | 2 | 2020 |
| Against participation: Cinephilia, nostalgia and the pleasure of attending an “alternative” cinema space R McCulloch, V Crisp Live Cinema: Cultures, Economies, Aesthetics, London:: Bloomsbury, 153-66, 2017 | 2 | 2017 |
| Pirates and proprietary rights: Perceptions of ‘ownership’and media objects within filesharing communities V Crisp Cult Media: Re-packaged, Re-released and Restored, 125-141, 2017 | 2 | 2017 |
| ‘Independent’Distributors V Crisp, V Crisp Film Distribution in the Digital Age: Pirates and Professionals, 33-55, 2015 | 1 | 2015 |
