| In and Out of Sight: Modernist Writing and the Photographic Unseen A Beeston Oxford University Press, 2018 | 32 | 2018 |
| The Watch‐Bitch Now: Reassessing the Natural Woman in Han Kang’s The Vegetarian and Charlotte Wood’s The Natural Way of Things A Beeston Signs: Journal of Women in Culture and Society 45 (3), 679-702, 2020 | 12 | 2020 |
| A “Leg Show Dance” in a Skyscraper: The Sequenced Mechanics of John Dos Passos's Manhattan Transfer A Beeston PMLA 131 (3), 636-651, 2016 | 11 | 2016 |
| Incomplete: The feminist possibilities of the unfinished film A Beeston, S Solomon Univ of California Press, 2023 | 6 | 2023 |
| A ghost with a camera A Beeston Post45, 2020 | 3 | 2020 |
| Introduction: working the trap A Beeston Feminist Modernist Studies 2 (3), 304-313, 2019 | 3 | 2019 |
| On Instagram: an intimate, immediate conversation A Beeston, A Kingston-Reese, C Kindey ASAP/J, 2020 | 2 | 2020 |
| Pathways to the feminist incomplete: An introduction, a theory, a manifesto A Beeston, S Solomon University of California Press, 2023 | 1 | 2023 |
| Photography: Gertrude Käsebier and the maternal line of sight A Beeston Edinburgh University Press, 2022 | 1 | 2022 |
| Still Modernism: Photography, Literature, Film by Louise Hornby A Beeston Modernism/modernity 26 (1), 219-222, 2019 | 1 | 2019 |
| Images in Crisis: Three Lives's Vanishing Women A Beeston Modernism/modernity Print Plus 2 (2), https://modernismmodernity.org/articles/, 2017 | 1 | 2017 |
| Icons of depression A Beeston Arizona Quarterly: A Journal of American Literature, Culture, and Theory 73 …, 2017 | 1 | 2017 |
| Judging by its Cover, Part 1 A Beeston Modernism/modernity Print Plus, 2024 | | 2024 |
| A history of shapes A Beeston Giramondo, 2023 | | 2023 |
| Kathleen Collins... posthumously A Beeston University of California Press, 2023 | | 2023 |
| Blur A Beeston Modernism/modernity Print Plus 7 (1), 2022 | | 2022 |
| Unfinished: women filmmakers in process A Beeston, S Solomon Unfinished Festival: Women Filmmakers in Process 2022, 2022 | | 2022 |
| A history of shapes. Book review of" No Document" by Anwen Crawford (2021) A Beeston Sydney Review of Books, 2021 | | 2021 |
| Girl Head: Feminism and Film Materiality by Genevieve Yue A Beeston JCMS: Journal of Cinema and Media Studies 61 (1), 193-198, 2021 | | 2021 |
| Fingers stained with fruit and ink. Rev. of Ellena Savage, Blueberries (Text Publishing/Scribe, 2020) A Beeston Sydney Review of Books, 2020 | | 2020 |
Stefan SolomonSenior Lecturer in Media StudiesVerified email at mq.edu.au
