| Coach learning and development: A review of literature C Cushion, L Nelson, K Armour, J Lyle, R Jones, R Sandford, ... Sports coach UK 14, 166-180, 2010 | 475 | 2010 |
| Sarah Waters: Gender and Sexual Politics C O’Callaghan Bloomsbury Publishing, 2017 | 34 | 2017 |
| All in this together? Feminisms, academia, austerity H Davies, C O'Callaghan Journal of Gender Studies 23 (3), 227-232, 2014 | 21 | 2014 |
| “The Grossest Rakes of Fiction”: Reassessing Gender, Sex, and Pornography in Sarah Waters's Fingersmith C O'Callaghan Critique: studies in contemporary fiction 56 (5), 560-575, 2015 | 19 | 2015 |
| Sarah Waters's recreations of Victorian domestic space; or, the lesbians in the attic C O'Callaghan Loughborough University, 2014 | 18 | 2014 |
| The equivocal symbolism of pearls in the novels of Sarah Waters C O'Callaghan Contemporary Women's Writing 6 (1), 20-37, 2012 | 13 | 2012 |
| Emily Brontë Reappraised C O'Callaghan Saraband, 2018 | 12 | 2018 |
| “Lesbo Victorian Romp”: Women, Sex and Pleasure in Sarah Waters’s Tipping the Velvet’ C O’Callaghan Sexualities and Contemporary Fiction, 61-80, 2012 | 10 | 2012 |
| Sarah Waters and Contemporary Feminisms A Jones, C O'Callaghan Palgrave Macmillan, 2016 | 9 | 2016 |
| “Smash the Social Machine”:: Neo-Victorianism and Postfeminism in Emma Donoghue’s The Sealed Letter C O’Callaghan Neo-Victorian Studies 6 (2), 64-88, 2013 | 9 | 2013 |
| ‘Awaiting the death blow’: gendered violence and Miss Havisham’s afterlives C O'Callaghan Loughborough University, 2020 | 8 | 2020 |
| Gender and austerity in popular culture: Femininity, masculinity and recession in film and television H Davies, C O’Callaghan Bloomsbury Publishing, 2016 | 7 | 2016 |
| " Little things": Writing the sexual revolution C O'Callaghan Loughborough University, 1967 | 7 | 1967 |
| Introduction: boom and bust? Gender and austerity in popular culture H Davies, C O’Callaghan Gender and Austerity in Popular Culture: Femininity, Masculinity & Recession …, 2017 | 6 | 2017 |
| “Pronouns are problematic”:: The Trans* Body and Gender Theory; Or, Revisiting the Neo-Victorian Wo/Man C O’Callaghan Neo-Victorian Studies 13 (1), 75-99, 2020 | 5 | 2020 |
| " A poet, a solitary": Emily Brontë—Queerness, Quietness, and Solitude C O'callaghan Victorians: A Journal of Culture and Literature 134 (1), 204-217, 2018 | 4 | 2018 |
| Heathcliff, Race and Adam Low’s Documentary, A Regular Black: The Hidden Wuthering Heights (2010) C O’Callaghan, M Stewart Brontë Studies 45 (2), 156-167, 2020 | 3 | 2020 |
| Introduction: The coarseness of the Brontës reconsidered C O’Callaghan, S Franklin Brontë Studies 44 (1), 1-4, 2019 | 3 | 2019 |
| Killing the “Angel in the House”: Violence and Victim-Blaming in Anne Brontë’s The Tenant of Wildfell Hall C O’Callaghan Intersections of Gender, Class, and Race in the Long Nineteenth Century and …, 2018 | 3 | 2018 |
| A Wilde Scoundrel: Villainy and ‘Lad Culture’in the Filmic Afterlives of Dorian Gray C O’Callaghan Neo-Victorian Villains, 252-268, 2017 | 3 | 2017 |
