| Singing and the Actor G Kayes Singing and the Actor, 1-208, 2014 | 180 | 2014 |
| Breath in Action: The Art of Breath in Vocal and Holistic Practice K Bloom, C Berry, M Churcher, D Carey, S Martin, JW Ouston, JL Vivier, ... Jessica Kingsley Publishers, 2009 | 52 | 2009 |
| Successful singing auditions J Fisher, G Kayes A&C Black, 2014 | 23 | 2014 |
| Can genre be “heard” in scale as well as song tasks? An exploratory study of female singing in Western lyric and musical theater styles G Kayes, GF Welch Journal of Voice 31 (3), 388. e1-388. e12, 2017 | 17 | 2017 |
| Pedagogy of different sung genres J Fisher, G Kayes, L Popeil | 17 | 2014 |
| Structure and Function of the Singing Voice G Kayes Oxford Handbook of Singing, 2015 | 13* | 2015 |
| How does genre shape the vocal behaviour of female singers? Empirical studies of professional female singing in Western Lyric and Contemporary Commercial Music genres G Kayes Institute of Education, London, UK, 2014 | 7 | 2014 |
| How does genre shape the vocal behaviour of female singers? G Kayes PhD thesis. London: Institute of Education, University of London, 2013 | 7 | 2013 |
| Essay Breath and the Vocal Folds—a Musical Theatre Perspective G Kayes, R Cook Voice and Speech Review 6 (1), 443-444, 2009 | 1 | 2009 |
| Singing Voice Teaching and Voice Science: Where is the Meeting Point? G Kayes, I Bartlett Journal of Singing 81 (1), 69-76, 2024 | | 2024 |
| Pedagogy of Different Sung Genres LP Jeremy Fisher, Gillyanne Kayes Oxford Handbooks Online, 2014 | | 2014 |
