Gilberto Bernardes
Title
Cited by
Cited by
Year
A multi-level tonal interval space for modelling pitch relatedness and musical consonance
G Bernardes, D Cocharro, M Caetano, C Guedes, MEP Davies
Journal of New Music Research 45 (4), 281-294, 2016
282016
Automatic generation of chord progressions with an artificial immune system
M Navarro, M Caetano, G Bernardes, LN de Castro, JM Corchado
International Conference on Evolutionary and Biologically Inspired Music and …, 2015
262015
Eargram: An application for interactive exploration of concatenative sound synthesis in Pure Data
G Bernardes, C Guedes, B Pennycook
International Symposium on Computer Music Modeling and Retrieval, 110-129, 2012
202012
Composing Music by Selection: Content-Based Algorithmic-Assisted Audio Composition
G Bernardes
PhD dissertation, University of Porto, 2014
142014
Style emulation of drum patterns by means of evolutionary methods and statistical analysis
G Bernardes, C Guedes, B Pennycook
Proceedings of the Sound and Music Conference, 1-4, 2010
142010
Harmony generation driven by a perceptually motivated tonal interval space
G Bernardes, D Cocharro, C Guedes, MEP Davies
Computers in Entertainment (CIE) 14 (2), 1-21, 2016
132016
Conchord: an application for generating musical harmony by navigating in a perceptually motivated tonal interval space
G Bernardes, D Cocharro, C Guedes, ME Davies
Proceedings of the 11th International Symposium on Computer Music Modeling …, 2015
132015
Automatic musical key estimation with adaptive mode bias
G Bernardes, MEP Davies, C Guedes
2017 IEEE International Conference on Acoustics, Speech and Signal …, 2017
102017
Eargram: an application for interactive exploration of large databases of audio snippets for creative purposes
G Bernardes, C Guedes, B Pennycook
Proceedings of the 9th International Symposium on Computer Music Modelling …, 2012
102012
Seed: Resynthesizing environmental sounds from examples
G Bernardes, L Aly, ME Davies
Proceedings of the Sound and Music Computing Conference, 2016
62016
A hierarchical harmonic mixing method
G Bernardes, MEP Davies, C Guedes
International Symposium on Computer Music Multidisciplinary Research, 151-170, 2017
42017
The creative process behind Dialogismos I: theoretical and technical considerations
G Bernardes, NP Pinho, S Lourenço da Fonseca, C Guedes, ...
ARTECH 2012-6th International Conference on Digital Arts, 2012
42012
ChordAIS: An assistive system for the generation of chord progressions with an artificial immune system
M Navarro-Caceres, M Caetano, G Bernardes, LN de Castro
Swarm and Evolutionary Computation 50, 100543, 2019
32019
eargram actors: An interactive audiovisual system based on social behavior
P Beyls, G Bernardes, M Caetano
Journal of Science and Technology of the Arts 7 (1), 43-54, 2015
32015
Considering roughness to describe and generate vertical musical structure in content-based algorithmic-assisted audio composition
G Bernardes, MEP Davies, C Guedes, BW Pennycook
ICMC, 2014
32014
A new classification of wind instruments: orofacial considerations
M Clemente, J Mendes, A Moreira, G Bernardes, H Van Twillert, ...
Journal of oral biology and craniofacial research 9 (3), 268-276, 2019
22019
David Huron, Voice Leading: The Science Behind a Musical Art (Cambridge, MIT Press, 2016)
G Bernardes
Revista Portuguesa de Musicologia 4 (1), 219-226, 2017
22017
A Perceptually-Motivated Harmonic Compatibility Method for Music Mixing
G Bernardes, MEP Davies, C Guedes
International Symposium on Computer Music Multidisciplinary Research, 104-115, 2017
22017
The Emergence of Complex Behavior as an Organizational Paradigm for Concatenative Sound Synthesis
P Beyls, G Bernardes, M Caetano
Skyler and Bliss Original Citation Adkins, Monty and Segretier, Laurent …, 2015
22015
Objective Evaluation of Tonal Fitness for Chord Progressions Using the Tonal Interval Space
M Navarro-Cáceres, M Caetano, G Bernardes
International Conference on Computational Intelligence in Music, Sound, Art …, 2020
12020
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Articles 1–20