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Hubert Léveillé Gauvin
Hubert Léveillé Gauvin
Ohio State University
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Title
Cited by
Cited by
Year
Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy
H Léveillé Gauvin
Musicae Scientiae 22 (3), 291-304, 2018
792018
“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s
H Léveillé Gauvin
Empirical Musicology Review 10 (3), 215-238, 2015
262015
Changing Content in Flagship Music Theory Journals, 1979–2014
B Duinker, H Léveillé Gauvin
Music Theory Online 23 (4), 2017
182017
Encoding music performance data in Humdrum and MEI
J Devaney, H Léveillé Gauvin
International Journal on Digital Libraries, https://doi.org/10.1007/s00799 …, 2017
82017
Representing and Linking Music Performance Data with Score Information
J Devaney, H Léveillé Gauvin
Proceedings of the 3rd International workshop on Digital Libraries for …, 2016
62016
Supplementing Melody, Lyrics, and Acoustic Information to the McGill Billboard Database
H Léveillé Gauvin, N Condit-Schultz, C Arthur
Digital Humanities 2017, 2017
5*2017
On popular music and media: Analyzing changes in compositional practices and music listening choice behavior using attention economy principles
H Léveillé Gauvin
The Ohio State University, 2018
12018
Changing Use of Seventh Chords: A Replication of Mauch et al.(2015)
H Léveillé Gauvin
Empirical Musicology Review 11 (1), 103-107, 2016
1*2016
On the Role of Semitone Intervals in Melodic Organization: Yearning vs. Baby Steps
H Léveillé Gauvin, D Huron, D Shanahan
Proceedings of the 14th International Conference on Music Perception and …, 2016
2016
Three Empirical Studies on the Evolution of Musical Syntax in Popular Music from the 1960s
H Léveillé Gauvin
McGill University, 2015
2015
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Articles 1–10