| Post-Acousmatic Practice: Re-evaluating Schaeffer’s Heritage M Adkins, R Scott, PA Tremblay Organised Sound 21 (2), 106-116, 2016 | 26 | 2016 |
| Acoustic chains in acousmatic music M Adkins University of Wellington, 1999 | 23 | 1999 |
| The Roberto Gerhard Companion M Adkins Routledge, 2016 | 20 | 2016 |
| The application of memetic analysis to electroacoustic music M Adkins | 15 | 2008 |
| Essays on Roberto Gerhard M Adkins, M Russ Cambridge Scholars Publishing, 2017 | 9 | 2017 |
| A manifesto of nodalism M Adkins Journal of Science and Technology of the Arts 6 (1), 51, 2014 | 9 | 2014 |
| Schaeffer est mort! Long live Schaeffer! M Adkins | 9 | 2007 |
| Fragility, noise and atmosphere in Ambient Music M Adkins Music Beyond Airports, Eds. M. Adkins & S. Cummings, 119-147, 2019 | 8 | 2019 |
| Sybil: Synthesis by interactive learning M Clarke, A Watkins, M Adkins, M Bokowiec | 8 | 2004 |
| Music beyond Airports: Appraising ambient music M Adkins, S Cummings University of Huddersfield Press, 2019 | 7 | 2019 |
| Exploring the perception and identity of place through sound and image M Adkins, H Santamas Jardins Efemeros, 2014 | 7 | 2014 |
| Extending the Instrumental sound world using electronics M Adkins Cambridge University Press, 2017 | 6 | 2017 |
| Nodalism and creative practice M Adkins | 5 | 2014 |
| Unquestionably Decisive”: Roberto Gerhard’s Studies with Arnold Schoenberg’ D Alonso, M Adkins, M Russ The Roberto Gerhard Companion, 25-48, 2013 | 5* | 2013 |
| Towards ‘a beautiful land’: Compositional strategies and influences in Five Panels (no. 1) M Adkins | 5 | 2008 |
| Geometries of Flight: Remix as Nodal Practice M Adkins, J d'Escrivan Michigan Publishing, 2013 | 4 | 2013 |
| Metaphor, Abstraction and Temporality in Electroacoustic Music M Adkins | 4 | 2010 |
| Using experience design in curricula to enhance creativity and collaborative practice in electronic music M Adkins Music, Technology, and Education, 191-209, 2016 | 3 | 2016 |
| Borderlands: an Exploration of Contemplation in Creative Practice D Templeton, M Adkins Liminalities: A Journal of Performance Studies 12 (2), 2016 | 3 | 2016 |
| Digital Music, Digital Distribution M Adkins, T Adams | 2 | 2014 |
Pierre Alexandre TremblayProfessor of Composition and Improvisation, CeReNeM, University of HuddersfieldAdresse e-mail validée de hud.ac.uk
