Music emotion recognition: From content-to context-based models M Barthet, G Fazekas, M Sandler International Symposium on Computer Music Modeling and Retrieval, 228-252, 2012 | 106 | 2012 |
Internet of musical things: Vision and challenges L Turchet, C Fischione, G Essl, D Keller, M Barthet IEEE Access 6, 61994-62017, 2018 | 68 | 2018 |
Acoustical correlates of timbre and expressiveness in clarinet performance M Barthet, P Depalle, R Kronland-Martinet, S Ystad Music Perception 28 (2), 135-154, 2010 | 48 | 2010 |
From clarinet control to timbre perception M Barthet, P Guillemain, R Kronland-Martinet, S Ystad Acta Acustica united with Acustica 96 (4), 678-689, 2010 | 47 | 2010 |
Open symphony: Creative participation for audiences of live music performances Y Wu, L Zhang, N Bryan-Kinns, M Barthet IEEE MultiMedia 24 (1), 48-62, 2017 | 44 | 2017 |
Knowledge Representation Issues in Musical Instrument Ontology Design. S Kolozali, M Barthet, G Fazekas, MB Sandler ISMIR, 465-470, 2011 | 38 | 2011 |
Towards a Semantic Architecture for the Internet of Musical Things L Turchet, F Viola, G Fazekas, M Barthet 2018 23rd Conference of Open Innovations Association (FRUCT), 382-390, 2018 | 37 | 2018 |
Genre-adaptive semantic computing and audio-based modelling for music mood annotation P Saari, G Fazekas, T Eerola, M Barthet, O Lartillot, M Sandler IEEE Transactions on Affective Computing 7 (2), 122-135, 2015 | 26 | 2015 |
Analysis-by-synthesis of timbre, timing, and dynamics in expressive clarinet performance M Barthet, P Depalle, R Kronland-Martinet, S Ystad Music Perception 28 (3), 265-278, 2011 | 26 | 2011 |
Ethnographic Observations of Musicologists at the British Library: Implications for Music Information Retrieval. M Barthet, S Dixon ISMIR, 353-358, 2011 | 22 | 2011 |
The Role of Audio and Tags in Music Mood Prediction: A Study Using Semantic Layer Projection. P Saari, T Eerola, G Fazekas, M Barthet, O Lartillot, MB Sandler ISMIR, 201-206, 2013 | 20 | 2013 |
Semantic models of musical mood: Comparison between crowd-sourced and curated editorial tags P Saari, M Barthet, G Fazekas, T Eerola, M Sandler 2013 IEEE International Conference on Multimedia and Expo Workshops (ICMEW), 1-6, 2013 | 20 | 2013 |
Automatic ontology generation for musical instruments based on audio analysis Ş Kolozali, M Barthet, G Fazekas, M Sandler IEEE transactions on audio, speech, and language processing 21 (10), 2207-2220, 2013 | 20 | 2013 |
A web application for audience participation in live music performance: The open symphony use case L Zhang, Y Wu, M Barthet | 19 | 2016 |
Music recommendation for music learning: Hotttabs, a multimedia guitar tutor M Barthet, A Anglade, G Fazekas, S Kolozali, R Macrae Workshop on Music Recommendation and Discovery, 7-13, 2011 | 19 | 2011 |
Co-design of a Smart Cajón L Turchet, A McPherson, M Barthet Journal of the Audio Engineering Society, 2018 | 18 | 2018 |
Consistency of timbre patterns in expressive music performance M Barthet, R Kronland-Martinet, S Ystad 9th International Conference on Digital Audio Effects, 19-25, 2006 | 18 | 2006 |
Selection of audio features for music emotion recognition using production music C Baume, G Fazekas, M Barthet, D Marston, M Sandler Audio Engineering Society Conference: 53rd International Conference …, 2014 | 17 | 2014 |
Real-time hit classification in a Smart Cajón L Turchet, A McPherson, M Barthet Frontiers in ICT 5, 16, 2018 | 16 | 2018 |
Envisioning smart musical haptic wearables to enhance performers’ creative communication L Turchet, M Barthet Proceedings of international symposium on computer music multidisciplinary …, 2017 | 16 | 2017 |