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Matthew H. Woolhouse
Matthew H. Woolhouse
Associate Professor of Music, McMaster University
Verified email at mcmaster.ca
Title
Cited by
Cited by
Year
How live music moves us: Head movement differences in audiences to live versus recorded music
D Swarbrick, D Bosnyak, SR Livingstone, J Bansal, S Marsh-Rollo, ...
Frontiers in Psychology 9, 2682, 2019
1102019
Effects on inter-personal memory of dancing in time with others
MH Woolhouse, D Tidhar, I Cross
Frontiers in Psychology 7, 167, 2016
702016
Traces across the body: influence of music-dance synchrony on the observation of dance
MH Woolhouse, R Lai
Frontiers in Human Neuroscience 8, 965, 2014
372014
Perception of nonadjacent tonic-key relationships
MH Woolhouse, I Cross, T Horton
Psychology of Music 44 (4), 802-815, 2016
322016
Modelling tonal attraction between adjacent musical elements
MH Woolhouse
Journal of New Music Research 38 (4), 357-379, 2009
322009
Group dancing leads to increased person-perception
MH Woolhouse, D Tidhar
Proceedings of the 11th International Conference on Music Perception and …, 2010
242010
Using interval cycles to model Krumhansl's tonal hierarchies
MH Woolhouse, I Cross
Music Theory Spectrum 32 (1), 60-78, 2010
242010
Modelling song popularity as a contagious process
DP Rosati, MH Woolhouse, BM Bolker, DJD Earn
Proceedings of the Royal Society A 477 (2253), 20210457, 2021
182021
Influence of personality on music-genre exclusivity
J Bansal, MB Flannery, MH Woolhouse
Psychology of Music 49 (5), 1356-1371, 2021
182021
Acoustic features influence musical choices across multiple genres
MD Barone, J Bansal, MH Woolhouse
Frontiers in Psychology 8, 931, 2017
172017
The perception of nonadjacent harmonic relations
MH Woolhouse, I Cross, T Horton
International Conference on Music Perception and Cognition 9, 2006
112006
Musical preference: Role of personality and music-related acoustic features
MB Flannery, MH Woolhouse
Music & Science 4, 20592043211014014, 2021
92021
Events versus time in the perception of nonadjacent key relationships
J Spyra, M Stodolak, MH Woolhouse
Musicae Scientiae, 1029864919867463, 2019
92019
Predictive power of personality on music-genre exclusivity
J Bansal, MH Woolhouse
Proceedings of the International Society for Music Information Retrieval …, 2015
92015
Work, rest and (press) play: Music consumption as an indicator of human economic development
MH Woolhouse, J Bansal
Journal of Interdisciplinary Music Studies 7, 45-71, 2013
82013
Modes on the move: Interval cycles and the emergence of major-minor tonality
MH Woolhouse
Empirical Musicology Review 5 (3), 62-83, 2010
82010
An interval cycle-based model of pitch attraction
MH Woolhouse, I Cross
Proceedings of the 9th International Conference on Music Perception …, 2006
82006
Every track you take: Analysing the dynamics of song and genre reception through music downloading
MH Woolhouse, J Renwick, D Tidhar
Digital Studies/Le champ numérique 5 (1), 1-11, 2014
72014
Effects of observed music-gesture synchronicity on gaze and memory
L Hadley, D Tidhar, MH Woolhouse
Proceedings of the 12th International Conference on Music perception and …, 2012
72012
The attraction of synchrony: A hip-hop dance study
C Tang Poy, MH Woolhouse
Frontiers in Psychology 11, 2991, 2020
62020
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