My film in your pocket: an analysis of user interactions with films and copyright law O Ekiz Queen Mary Journal of Intellectual Property 9 (2), 196-216, 2019 | 1 | 2019 |
But Is It Fixed: Copyright and Conceptual Art: A Comparative Analysis of Fixation Criterion in the US and the UK O Ekiz QMLJ 10, 115, 2019 | 1 | 2019 |
Photographs in court: copyright adjudication as a contextual element of a photograph’s meaning O Ekiz Queen Mary Journal of Intellectual Property 13 (1), 27-51, 2023 | | 2023 |
Book review: David Newhoff, Who Invented Oscar Wilde? The Photograph at the Center of Modern American Copyright (Potomac Books, Dulles, VA 2020) 282 pp. O Ekiz Queen Mary Journal of Intellectual Property 12 (3), 428-431, 2022 | | 2022 |
Foreword: Fundamental Rights in the Digital Age O Ekiz Queen Mary University of London-School of Law, 2022 | | 2022 |
Fundamental Rights in the Digital Age O Ekiz QMLJ, i, 2022 | | 2022 |
Book review: Jani McCutcheon and Fiona McGaughey (eds), Research Handbook on Art and Law (Edward Elgar, Cheltenham 2020) 464 pp. O Ekiz Queen Mary Journal of Intellectual Property 10 (4), 516-520, 2020 | | 2020 |
Book review: Bhamati Viswanathan, Cultivating Copyright: How Creators and Creative Industries Can Harness Intellectual Property to Survive the Digital Age (Routledge, Abingdon … O Ekiz Queen Mary Journal of Intellectual Property 10 (3), 401-405, 2020 | | 2020 |
Copyright and public appearance: a review of the relationship between parody and moral rights in the UK O Ekiz Intellectual Property Quarterly, 204-225, 2020 | | 2020 |
Documenting the copyright sphere: can festivals solve the problem of copyright clearance for documentaries? O Ekiz Queen Mary Journal of Intellectual Property 9 (4), 452-470, 2019 | | 2019 |
Layers of Creativity G Rawle, O Ekiz Art/Law Network, 2019 | | 2019 |
BORROWED SOUNDS: SAMPLING AFTER PELHAM O EKİZ Banka ve Finans Hukuku Dergisi 8 (32), 2477-2506, 2019 | | 2019 |