| Star Wars and the history of transmedia storytelling SA Guynes, D Hassler-Forest Amsterdam University Press, 2017 | 86 | 2017 |
| Gothic remixed: Monster mashups and frankenfictions in 21st-century culture M de Bruin-Molé Bloomsbury Publishing, 2019 | 38 | 2019 |
| Space bitches, witches, and kick-ass princesses: Star Wars and popular feminism M de Bruin-Molé Amsterdam University Press, 2018 | 19 | 2018 |
| Palgrave handbook of critical posthumanism S Herbrechter, I Callus, M Rossini, M Grech, M de Bruin-Molé, CJ Müller Springer Nature, 2022 | 16 | 2022 |
| “Does it Come with a Spear?” Commodity Activism, Plastic Representation, and Transmedia Story Strategies in Disney’s Star Wars M de Bruin-Molé Film Criticism 42 (2), 2018 | 9 | 2018 |
| 'Hail, Mary, the Mother of Science Fiction'Popular fictionalisations of Mary Wollstonecraft Shelley in film and television, 1935–2018 M de Bruin-Molé Science Fiction Film and Television 11 (2), 233-255, 2018 | 7 | 2018 |
| “Now with ultraviolent zombie mayhem!” The Neo-Victorian novel-as-mashup and the limits of postmodern irony M de Bruin-Molé Neo-Victorian Humour, 247-276, 2017 | 7 | 2017 |
| Critical posthumanism: an overview S Herbrechter, I Callus, M de Bruin-Molé, M Grech, CJ Müller, M Rossini Palgrave handbook of critical posthumanism, 1-24, 2022 | 6 | 2022 |
| Embodying Contagion: The Viropolitics of Horror and Desire in Contemporary Discourse S Becker, M de Bruin-Molé, S Polak University of Wales Press, 2021 | 5 | 2021 |
| Salvaging Utopia: Lessons for (and from) the Left in Rivers Solomon’s An Unkindness of Ghosts (2017), The Deep (2019), and Sorrowland (2021) M de Bruin-Molé Humanities 10 (4), 109, 2021 | 4 | 2021 |
| Embodying the Fantasies and Realities of Contagion M de Bruin-Molé, S Polak HORROR STUDIES, 1, 2021 | 4 | 2021 |
| Monster theory 2.0: remix, the digital humanities, and the limits of transgression M de Bruin-Molé The Routledge Handbook of Remix Studies and Digital Humanities, 109-124, 2021 | 4 | 2021 |
| Killable hordes, chronic others, and ‘mindful’consumers: Rehabilitating the zombie in Twenty-First-Century popular culture M de Bruin-Molé University of Wales Press, 2021 | 3 | 2021 |
| The Horror of Dracula: Twilight and the 21st-Century Vampire MJ de Bruin-Molé University of Amsterdam, 2011 | 3 | 2011 |
| Women Heroes in Video Games M de Bruin‐Molé The International Encyclopedia of Gender, Media, and Communication, 1-5, 2020 | 2 | 2020 |
| A symposium on Mary Shelley, Frankenstein and women in sf: Clone club – Frankenstein’s daughters S Abbott, S Artt, M Butler, M de Bruin-Molé, J Donawerth, SA George, ... Science Fiction Film & Television 11 (2), 157-176, 2018 | 2 | 2018 |
| Frankenfiction: monstrous adaptations and gothic histories in twenty-first-century remix culture M de Bruin-Molé Cardiff University, 2017 | 1 | 2017 |
| Consuming Gender: Identity Construction under Global Capitalism D van Dam, A Suwa, M de Bruin-Molé Assuming Gender 6 (1), 1-10, 2017 | 1 | 2017 |
| The promises of monsters: Report on the Inaugural “Monster Network” Conference in Stavanger (28–29 April, 2016) M de Bruin-Molé Fafnir 3 (3), 69-71, 2016 | 1 | 2016 |
| Haunted TikTok: comedy in Gothic times M de Bruin-Molé Edinburgh University Press, 2023 | | 2023 |
Ivan CallusDepartment of English, University of MaltaVerified email at um.edu.mt
