Nicola Dibben
Nicola Dibben
Professor in Music, University of Sheffield
Verified email at sheffield.ac.uk - Homepage
Title
Cited by
Cited by
Year
Music and mind in everyday life
E Clarke, N Dibben, S Pitts
Oxford University Press, 2010
1992010
An exploratory survey of in-vehicle music listening
N Dibben, VJ Williamson
Psychology of Music 35 (4), 571-589, 2007
1812007
Gender identity and music
N Dibben
Musical identities, 117-133, 2002
1552002
The cognitive reality of hierarchic structure in tonal and atonal music
N Dibben
Music Perception 12 (1), 1-25, 1994
1391994
Representations of femininity in popular music
N Dibben
Popular music 18 (3), 331-355, 1999
1311999
The role of peripheral feedback in emotional experience with music
N Dibben
Music Perception 22 (1), 79-115, 2004
1022004
Motivic structure and the perception of similarity
A Lamont, N Dibben
Music Perception 18 (3), 245-274, 2001
982001
Psychoacoustic cues to emotion in speech prosody and music
E Coutinho, N Dibben
Cognition & emotion 27 (4), 658-684, 2013
942013
Musicological approaches to emotion
N Cook
Music and Emotion, 2001
942001
What do we hear, when we hear music?: Music perception and musical material
N Dibben
Musicae Scientiae 5 (2), 161-194, 2001
832001
The perception of structural stability in atonal music: The influence of salience, stability, horizontal motion, pitch commonality, and dissonance
N Dibben
Music Perception 16 (3), 265-294, 1999
731999
Nature and nation: National identity and environmentalism in Icelandic popular music video and music documentary
N Dibben
Ethnomusicology Forum 18 (1), 131-151, 2009
602009
Subjectivity and the Construction of Emotion in the Music of Björk
N Dibben
Music Analysis 25 (1‐2), 171-197, 2006
562006
Musical materials, perception, and listening
NDIB BEN
The Cultural Study of Music: A Critical Introduction, 193, 2003
562003
Björk
N Dibben
Indiana University Press, 2009
532009
Emotion in culture and history
N Cook, N Dibben
Handbook of music and emotion: theory, research, applications, 45-72, 2010
472010
Vocal performance and the projection of emotional authenticity
N Dibben
The Ashgate research companion to popular musicology, 335-352, 2016
402016
The socio-cultural and learning experiences of music students in a British university
N Dibben
British Journal of Music Education 23 (1), 91-116, 2006
372006
Pulp, Pornography and Spectatorship: Subject Matter and Subject Position in Pulp's This is Hardcore
N Dibben
Journal of the Royal Musical Association 126 (1), 83-106, 2001
222001
Key-mood association: A self perpetuating myth
J Powell, N Dibben
Musicae Scientiae 9 (2), 289-311, 2005
152005
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Articles 1–20