Derek Bailey's practice/practise D Lash Perspectives of New Music 49 (1), 143-171, 2011 | 18 | 2011 |
Film as Film in the twenty-first century: The function and evaluation of diegesis and disruption D Lash Screen 58 (2), 163-179, 2017 | 8 | 2017 |
Metonymy as a creative structural principle in the work of JH Prynne, Derek Bailey and Helmut Lachenmann with a creative component D Lash School of Arts, 2010 | 8 | 2010 |
Cinema of Disorientation: Inviting Confusions D Lash Edinburgh University Press, 2020 | 7 | 2020 |
The Dangers of Getting What You Asked For: Double Time in Twin Peaks: The Return D Lash Open Screens 3 (1), 1-26, 2020 | 3 | 2020 |
Rupture, Suture, Nietzsche: Impossible Intersubjectivity in Alien D Lash Film-Philosophy 25 (3), 229-250, 2021 | 2 | 2021 |
“You Can't Imagine How Terrible It Is to Make the Wrong Choice”—Faith, Agency and Self-Pity in Andrei Tarkovsky's Stalker D Lash Quarterly Review of Film and Video 36 (4), 264-285, 2019 | 2 | 2019 |
Distance Listening: Musical Anachronism in Stanley Kubrick’s Barry Lyndon D Lash Cinergie–Il Cinema e le altre Arti, 83-93, 2017 | 2 | 2017 |
AFTER#[unassigned]: an Interview with James Saunders D Lash, J Saunders Tempo 70 (276), 5-21, 2016 | 2 | 2016 |
Robert Pippin and Film: Politics, Ethics, and Psychology after Modernism D Lash | 1 | 2022 |
(Re) producing Marriage: Stanley Cavell and Phantom Thread D Lash Film and Philosophy 25, 1-22, 2021 | 1 | 2021 |
Lost and found: studies in confusing films D Lash University of Bristol, 2019 | 1 | 2019 |
Intransigent Play: Detail, Form and Interpretation in the Music of Derek Bailey D Lash Against Value in the Arts and Education, 231-252, 2016 | 1 | 2016 |
Film-Philosophy-Poetry D Lash Film-Philosophy 27 (3), 375-376, 2023 | | 2023 |
Hypnosis-Images: Indiscernibility and Hypnotic Agency in Gilles Deleuze’s Heart of Glass D Lash Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual …, 2023 | | 2023 |
Gilles Deleuze and Film Criticism: Philosophy, Theory, and the Individual Film D Lash, HL Law Springer Nature, 2023 | | 2023 |
8 Film Theory D Lash The Year's Work in Critical and Cultural Theory 31 (1), 131-151, 2023 | | 2023 |
VF Perkins and the redescription of films D Lash New Review of Film and Television Studies 21 (3), 479-504, 2023 | | 2023 |
Films of pedro costa: producing and consuming contemporary art cinema: by Nuno Barradas Jorge, Edinburgh, Edinburgh University Press, 2020, 224 pp.,£ 19.99 (paperback), ISBN … D Lash Studies in European Cinema 20 (2), 226-228, 2023 | | 2023 |
6 Film Theory D Lash The Year's Work in Critical and Cultural Theory 30 (1), 93-113, 2022 | | 2022 |