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Laurie Stras
Laurie Stras
Verified email at soton.ac.uk
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Cited by
Cited by
Year
Why the patient-made term'long covid'is needed
E Perego, F Callard, L Stras, B Melville-Jóhannesson, R Pope, NA Alwan
Wellcome Open Research 5 (224), 224, 2020
1122020
She's so fine: reflections on whiteness, femininity, adolescence and class in 1960s music
L Stras
Ashgate Publishing, Ltd., 2011
622011
The organ of the soul: voice, damage, and affect
L Stras
Sounding off: Theorizing disability in music, 173-184, 2006
552006
White face, black voice: race, gender, and region in the music of the Boswell Sisters
L Stras
Journal of the Society for American Music 1 (2), 207-255, 2007
522007
Women and music in sixteenth-century Ferrara
L Stras
Cambridge University Press, 2018
482018
Why we need to keep using the patient made term “Long Covid
E Perego, F Callard, L Stras, B Melville-Jóhannesson, R Pope, N Alwan
342020
Voice of the Beehive: Vocal Technique at the Turn of the 1960s 1
L Stras
She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class …, 2017
232017
Eroticism in Early Modern Music
B Blackburn, L Stras
Routledge, 2016
172016
Recording Tarquinia: Imitation, Parody and Reportage in Ingegneri's' Hor che'l ciel e la terra e'l vento tace'
L Stras
Early Music 27 (3), 358-377, 1999
171999
Musical portraits of female musicians at the northern Italian courts in the 1570s
L Stras
Ashgate, 2003
162003
Sing a song of difference: Connie Boswell and a discourse of disability in jazz
L Stras
Popular Music 28 (3), 297-322, 2009
152009
The performance of polyphony in early 16th-century Italian convents
L Stras
Early Music 45 (2), 195-215, 2017
112017
'Onde havrà'l mond'esempio et vera historia': Musical Echoes of Henri III's Progress Through Italy
L Stras
Acta musicologica 72 (Fasc.] 1), 7-41, 2000
112000
Introduction: She’s so fine, or why girl singers (still) matter
L Stras
She's so fine: Reflections on whiteness, femininity, adolescence and class …, 2017
102017
Voci pari Motets and Convent Polyphony in the 1540s: The materna lingua Complex
L Stras
Journal of the American Musicological Society 70 (3), 617-696, 2017
92017
Le nonne della ninfa: Feminine Voices and Modal Rhetoric in the Generations before Monteverdi
L Stras
Gender, Sexuality, and Early Music, 123-165, 2013
82013
‘Al gioco si conosce il galantuomo’: Artifice, Humour and Play in the Enigmi musicali of Don Lodovico Agostini
L Stras
Early Music History 24, 213-286, 2005
72005
The Ricreationi per monache of Suor Annalena Aldobrandini
L Stras
Renaissance Studies 26 (1), 34-59, 2012
52012
Sounding Off: Theorizing Disability in Music
L Stras, N Lerner, JN Straus
Routledge, 2006
52006
Unmasking Salacious Subtexts in Lasso's Neapolitan Songs
DG Cardamone
Eroticism in early modern music, 59-82, 2016
42016
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