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Co-authors
- Daisy FancourtUniversity College LondonVerified email at ucl.ac.uk
- George WaddellPerformance Research and Innovation Fellow, Centre for Performance Science, Royal College of MusicVerified email at rcm.ac.uk
- Livia A. CarvalhoLecturer in Clinical PharmacologyVerified email at qmul.ac.uk
- Steptoe AUniversity College LondonVerified email at ucl.ac.uk
- Jane GinsborgProfessor of Music Psychology, Royal Northern College of MusicVerified email at rncm.ac.uk
- Sara AscensoLecturer, Royal Northern College of MusicVerified email at rncm.ac.uk
- Lisa AufeggerImperial College LondonVerified email at imperial.ac.uk
- John RothwellProfesor of Human Neurophysiology, UCL Institute of NeurologyVerified email at ucl.ac.uk
- Liliana AraujoMcGill UniversityVerified email at mcgill.ca
- Laura RitchieProfessor of Learning and Teaching, University of ChichesterVerified email at chi.ac.uk
- Tania LisboaReader in Performance Science and Digital Learning, Royal College of MusicVerified email at rcm.ac.uk
- Emma ReddingTrinity Laban Conservatoire of Music and DanceVerified email at trinitylaban.ac.uk
- Gunter KreutzProfessor für Systematische MusikwissenschaftenVerified email at uol.de
- Rafael Ramirez-MelendezUniversitat Pompeu FabraVerified email at upf.edu
- Isabelle CossetteMusic, McGill UniversityVerified email at mcgill.ca
- Danilo MandicProf. of Machine Intelligence, Dept of Electrical and Electronic Eng., Imperial College London, UKVerified email at imperial.ac.uk
- Gary E McPhersonOrmond Professor of MusicVerified email at unimelb.edu.au
- Sergio GiraldoPompeu Fabra UniversityVerified email at upf.edu
- Clemens WöllnerProfessor für Systematische Musikwissenschaft, Hochschule für Musik FreiburgVerified email at mh-freiburg.de
- Jane DavidsonProfessor of Creative and Performing Arts, the University of MelbourneVerified email at unimelb.edu.au