Susan broadhurst
Susan broadhurst
Verified email at brunel.ac.uk
TitleCited byYear
Liminal acts: a critical overview of contemporary performance and theory
S Broadhurst
A&C Black, 1999
2441999
Digital practices: aesthetic and neuroesthetic approaches to performance and technology
S Broadhurst
Springer, 2007
1002007
Performance and technology
S Broadhurst, J Machon
New York, 2011
932011
Political knowledge and electoral choice
R Andersen, A Heath, R Sinnott
British Elections & Parties Review 12 (1), 11-27, 2002
492002
The (im) mediate body: A transvaluation of corporeality
S Broadhurst
Body & Society 5 (1), 17-29, 1999
311999
Identity, performance and technology: practices of empowerment, embodiment and technicity
S Broadhurst, J Machon
Palgrave Macmillan, 2012
272012
Digital practices: an aesthetic and neuroesthetic approach to virtuality and embodiment
S Broadhurst
Performance Research 11 (4), 137-147, 2006
232006
Sensualities/textualities and technologies: writings of the body in 21st century performance
S Broadhurst, J Machon
Springer, 2016
222016
The Jeremiah project: Interaction, reaction, and performance
S Broadhurst
TDR/The Drama Review 48 (4), 47-57, 2004
122004
Intelligence, interaction, reaction, and performance
S Broadhurst
Performance and Technology, 141-152, 2006
112006
Blue bloodshot flowers
S Broadhurst
Brunel University, June, 2001
102001
Blue Bloodshot Flowers: interaction, reaction and performance
S Broadhurst
Digital Creativity 13 (3), 157-163, 2002
72002
Troika ranch: Making new connections a Deleuzian approach to performance and technology
S Broadhurst
Performance Research 13 (1), 109-117, 2008
62008
Einstein on the Beach: A study in temporality
S Broadhurst
Performance Research 17 (5), 34-40, 2012
52012
‘Merleau-Ponty and Neuroaesthetics: Two Approaches to Performance and Technology’.
S Broadhurst
Digital Creativity 23 (3-4), 225-238, 2012
52012
Digital practices: New writings of the body
S Broadhurst
Sensualities/Textualities and Technologies, 9-22, 2009
42009
Digital Bodies: Creativity and Technology in the Arts and Humanities
S Broadhurst, S Price
Springer, 2017
22017
Susan Broadhurst and Josephine Machon, ed. Performance and Technology: Practices of Virtual Embodiment and Interactivity. Basingstoke: Palgrave Macmillan …
I Kuksa
New Theatre Quarterly 24 (1), 99-99, 2008
22008
Bioart: Transgenic art and recombinant theatre
SM Broadhurst
Brunel University, Department of Performing Arts, 2005
22005
Aesthetics, neuroaesthetics and embodiment: Theorising performance and technology
S Broadhurst
Music-Dance, 235-248, 2017
12017
The system can't perform the operation now. Try again later.
Articles 1–20