Gender, Age and Musical Creativity C Haworth, L Colton Ashgate, 2015 | 26 | 2015 |
Detective Agency? Scoring the Amateur Female Investigator in 1940S Hollywood C Haworth Music and Letters 93 (4), 543-573, 2012 | 12 | 2012 |
Introduction: Gender, Sexuality, and the Soundtrack C Haworth Music, Sound, and the Moving Image 6 (2), 113-135, 2012 | 11 | 2012 |
"Something beneath the flesh": music, gender, and medical discourse in the 1940s female gothic film C Haworth Journal of the Society for American Music 8 (3), 338-370, 2014 | 6 | 2014 |
Pussy Galore: women and music in 'Goldfinger' C Haworth For his eyes only: the women of James Bond, 160-170, 2015 | 5 | 2015 |
Star quality? Song, celebrity and the jukebox musical in'Mamma Mia!' C Haworth Contemporary Musical Film, 107-122, 2017 | 2 | 2017 |
Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores. By Peter Franklin. C Haworth Music and Letters 94 (2), 365-367, 2013 | 2 | 2013 |
Dames, darlings and detectives: women, agency and the soundtrack in RKO Radio Pictures crime films 1939-1950 CM Haworth University of Leeds, 2010 | 1 | 2010 |
‘The Man for His Time and Place’: Identity, Musical Comedy, and the Compiled Soundtrack in The Big Lebowski C Haworth The Palgrave Handbook of Music in Comedy Cinema, 155-171, 2023 | | 2023 |
Introduction: Gender, Age and Musical Creativity C Haworth, L Colton Gender, Age and Musical Creativity, 1-6, 2016 | | 2016 |
How music became so core to James Bond that someone bet £15,000 on the theme C Haworth https://theconversation.com/how-music-became-so-core-to-james-bond-that …, 2015 | | 2015 |
Musical scores and female detectives of the 1940s C Haworth | | 2013 |
Book review:'The Private Eye: Detectives in the Movies'. By Bran Nicol, Reaktion Books, 2013. C Haworth Viewfinder: The Journal of the British Universities Film and Video Council …, 2013 | | 2013 |
Original Citation C Haworth | | 2008 |
Film's Musical Moments (review) C Haworth Music, Sound, and the Moving Image 2 (1), 83-90, 2008 | | 2008 |
Shades of grey: suspense, subjectivity and the soundtrack in'Notorious' C Haworth Cinemusic? Constructing the Film Score, 113-125, 2008 | | 2008 |