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Austin Moore
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All buttons in: An investigation into the use of the 1176 FET compressor in popular music production
A Moore
Journal on the Art of Record Production, 2012
252012
An investigation into the sonic signature of three classic dynamic range compressors
A Moore, R Till, JP Wakefield
152016
Dynamic range compression and the semantic descriptor aggressive
A Moore
Applied Sciences 10 (7), 2350, 2020
112020
An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor
A Moore, J Wakefield
62017
Tracking with processing and coloring as you go
A Moore
Producing music, 209-226, 2019
52019
Towards a definition of compression glue in mastering
A Moore
Mastering in Music, 44-59, 2020
42020
An investigation into non-linear sonic signatures with a focus on dynamic range compression and the 1176 fet compressor
A Moore
University of Huddersfield, 2017
42017
The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures
A Moore
32016
Distortion in Music Production: The Soul of Sonics
G Bromham, A Moore
Routledge, 2023
12023
Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music
C Dewey, A Moore, H Lee
AES: Journal of the Audio Engineering Society, 2024
2024
Exploring the history of distortion in drum and bass
L Shields, A Moore, C Dewey
Innovation in Music: Cultures and Contexts, 75-89, 2024
2024
Non-linearity and Dynamic Range Compressors
A Moore
Distortion in Music Production, 47-64, 2023
2023
Towards a Lexicon for Distortion Pedals
T Rice, A Moore
Distortion in Music Production, 128-144, 2023
2023
Exploring the history of distortion in Drum and Bass
A Moore, L Shields, C Dewey
Innovation in Music, 2023
2023
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Articles 1–14