| All buttons in: An investigation into the use of the 1176 FET compressor in popular music production A Moore Journal on the Art of Record Production, 2012 | 25 | 2012 |
| An investigation into the sonic signature of three classic dynamic range compressors A Moore, R Till, JP Wakefield | 15 | 2016 |
| Dynamic range compression and the semantic descriptor aggressive A Moore Applied Sciences 10 (7), 2350, 2020 | 11 | 2020 |
| An Investigation into the Relationship Between the Subjective Descriptor Aggressive and the Universal Audio 1176 FET Compressor A Moore, J Wakefield | 6 | 2017 |
| Tracking with processing and coloring as you go A Moore Producing music, 209-226, 2019 | 5 | 2019 |
| Towards a definition of compression glue in mastering A Moore Mastering in Music, 44-59, 2020 | 4 | 2020 |
| An investigation into non-linear sonic signatures with a focus on dynamic range compression and the 1176 fet compressor A Moore University of Huddersfield, 2017 | 4 | 2017 |
| The motivation behind the use of Dynamic Range Compression (DRC) In Music Production and an analysis of its sonic signatures A Moore | 2 | 2016 |
| Distortion in Music Production: The Soul of Sonics G Bromham, A Moore Routledge, 2023 | 1 | 2023 |
| Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music C Dewey, A Moore, H Lee AES: Journal of the Audio Engineering Society, 2024 | | 2024 |
| Exploring the history of distortion in drum and bass L Shields, A Moore, C Dewey Innovation in Music: Cultures and Contexts, 75-89, 2024 | | 2024 |
| Non-linearity and Dynamic Range Compressors A Moore Distortion in Music Production, 47-64, 2023 | | 2023 |
| Towards a Lexicon for Distortion Pedals T Rice, A Moore Distortion in Music Production, 128-144, 2023 | | 2023 |
| Exploring the history of distortion in Drum and Bass A Moore, L Shields, C Dewey Innovation in Music, 2023 | | 2023 |
