Andrew J. Milne
Andrew J. Milne
The MARCS Institute for Brain, Behaviour and Development, Western Sydney University
Verified email at westernsydney.edu.au - Homepage
TitleCited byYear
Spectral tools for Dynamic Tonality and audio morphing
WA Sethares, AJ Milne, S Tiedje, A Prechtl, J Plamondon
Computer Music Journal 33 (2), 71–84, 2009
492009
Isomorphic controllers and Dynamic Tuning: Invariant fingering over a tuning continuum
AJ Milne, WA Sethares, J Plamondon
Computer Music Journal 31 (4), 15-32, 2008
432008
Tuning continua and keyboard layouts
AJ Milne, WA Sethares, J Plamondon
Journal of Mathematics and Music 2 (1), 1–19, 2008
352008
A spectral pitch class model of the probe tone data and scalic tonality
AJ Milne, R Laney, DB Sharp
Music Perception 32 (4), 364–393, 2015
262015
Modelling the similarity of pitch collections with expectation tensors
AJ Milne, WA Sethares, R Laney, DB Sharp
Journal of Mathematics and Music 5 (1), 1–20, 2011
232011
A MIDI sequencer that widens access to the compositional possibilities of novel tunings
A Prechtl, AJ Milne, S Holland, R Laney, DB Sharp
Computer Music Journal 36 (1), 42–54, 2012
192012
Scratching the scale labyrinth
AJ Milne, M Carlé, WA Sethares, T Noll, S Holland
Mathematics and Computation in Music, 180–195, 2011
152011
Testing a spectral model of tonal affinity with microtonal melodies and inharmonic spectra
AJ Milne, R Laney, DB Sharp
Musicae Scientiae, 2016
132016
Empirically testing Tonnetz, voice-leading, and spectral models of perceived triadic distance
AJ Milne, S Holland
Journal of Mathematics and Music 10 (1), 59-85, 2016
122016
A computational model of the cognition of tonality
AJ Milne
The Open University, 2013
122013
XronoMorph: Algorithmic generation of perfectly balanced and well-formed rhythms
AJ Milne, SA Herff, D Bulger, WA Sethares, RT Dean
Proc. of the 2016 International Conference on New Interfaces for Musical …, 2016
112016
Exploring the space of perfectly balanced rhythms and scales
AJ Milne, D Bulger, SA Herff
Journal of Mathematics and Music 11 (2–3), 101–133, 2017
102017
Computational creation and morphing of multilevel rhythms by control of evenness
AJ Milne, RT Dean
Computer Music Journal 40 (1), 35–53, 2016
102016
Perfect balance: A novel principle for the construction of musical scales and meters
AJ Milne, D Bulger, SA Herff, WA Sethares
Mathematics and Computation in Music, 97–108, 2015
102015
A psychoacoustic model of harmonic cadences
AJ Milne
Department of Music, Jyväskylä University, Finland, 2009
92009
New tonalities with the Thummer and The Viking
AJ Milne, A Prechtl
Proc. of the 3rd International Haptic and Auditory Interaction Design …, 2008
92008
Hex Player—a virtual musical controller
AJ Milne, A Xambó, R Laney, DB Sharp, A Prechtl, S Holland
Proc. of the 2011 International Conference on New Interfaces for Musical …, 2011
62011
Exploring the effects of pitch layout on learning a new musical instrument
J MacRitchie, AJ Milne
Applied Sciences 7 (12), 1218, 2017
42017
Evaluation of the learnability and playability of pitch layouts in new musical instruments
J MacRitchie, AJ Milne
14th Sound and Music Computing Conference, 450–457, 2017
42017
Tonal music theory: A psychoacoustic explanation?
AJ Milne
Proc. of the 11th International Conference on Music Perception and Cognition …, 2010
42010
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Articles 1–20